Pedals that stack with the Marshall Plexi 1959SLP

MXR CSP039 Duke of Tone Overdrive

Marshall Plexi 1959SLP is voiced for Marshall-style amps — MXR CSP039 Duke of Tone Overdrive gives it exactly that

Walrus Audio Eons

A Plexi already wants to saturate, so set the Eons to a lower-gain mode and let the amp's own pick-attack response finish the job.

Wampler Catacombs

Wampler Catacombs leans into Marshall-style amps, precisely the platform Marshall Plexi 1959SLP wants — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix M76 Studio Compressor

The M76's fast FET compression levels the pick attack before it hits the Plexi, adding studio-style punch to the amp's natural breakup.

Universal Audio Golden Reverberator

Marshall Plexi 1959SLP is voiced for Marshall-style amps — Universal Audio Golden Reverberator gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Oceans Abyss

Marshall Plexi 1959SLP's own voicing points at Marshall-style amps, and Electro-Harmonix Oceans Abyss delivers it — goes in the amp's FX loop (or last, into a clean amp)

EarthQuaker Devices Dirt Transmitter V2

The Plexi's aggressive, saturated tube breakup gives the Dirt Transmitter V2's warm, hybrid grind a genuinely heavier amp voice to push into.

Electro-Harmonix Spruce Goose

Marshall Plexi 1959SLP's own voicing points at Marshall-style amps, and Electro-Harmonix Spruce Goose delivers it

SolidGoldFX Oblivion Quad Flange

Marshall Plexi 1959SLP is voiced for Marshall-style amps — SolidGoldFX Oblivion Quad Flange gives it exactly that

Wren and Cuff De La Riva BM20-Ultra Fuzz

Into Wren and Cuff De La Riva BM20-Ultra Fuzz, Marshall Plexi 1959SLP is right at home: it's built around Marshall-style amps

Strymon Orbit

Into Strymon Orbit, Marshall Plexi 1959SLP is right at home: it's built around Marshall-style amps

Universal Audio Flow Tremolo

Universal Audio Flow Tremolo leans into Marshall-style amps, precisely the platform Marshall Plexi 1959SLP wants

JHS Morning Glory

JHS Morning Glory leans into Marshall-style amps, precisely the platform Marshall Plexi 1959SLP wants

JAM Pedals Rattler V2

Marshall Plexi 1959SLP is voiced for Marshall-style amps — JAM Pedals Rattler V2 gives it exactly that

JAM Pedals TubeDreamer MK2

Marshall Plexi 1959SLP is voiced for Marshall-style amps — JAM Pedals TubeDreamer MK2 gives it exactly that

Vertex Effects Trainwreck

Marshall Plexi 1959SLP's own voicing points at Marshall-style amps, and Vertex Effects Trainwreck delivers it

Walrus Audio EB-10

The EB-10's boutique preamp boost gives the Plexi's aggressive classic-rock saturation extra tonal shaping.

Roland SDE-3000D

The SDE-3000D's iconic digital delay gives the Plexi's aggressive classic-rock saturation a modern echo to trail into. — goes in the amp's FX loop (or last, into a clean amp)

Benson Amps Stonk BOX

The Plexi's own aggressive saturation gives the Stonk BOX's germanium fuzz a classic-rock amp to slam into.

Walrus Audio Eras

The Plexi's aggressive, saturated tube breakup gives the Eras' boutique metal distortion a genuinely heavy amp voice to push into.

MXR M103 Blue Box

Documented together in one player's rig - the Blue Box's octave fuzz turns thick and wild through the 1959SLP's aggressive plexi saturation. — also used together by 1 artist

Keeley Super AT Mod (Andy Timmons Full-Range Overdrive)

Into the 1959SLP's aggressive plexi saturation, the Super AT Mod's harmonic, full-range clipping adds even more layered drive.

Alexander Pedals Radical Delay

The Plexi's aggressive classic-rock saturation gives the Radical Delay's digital, arpeggiating repeats a driven amp voice. — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Small Clone

Into the Plexi's aggressive, classic-rock saturation, the Small Clone's watery grunge chorus gets a rawer amp to sit on top of.