Pedals that stack with the Marshall Plexi 1959SLP

Walrus Audio Iron Horse

Stack the Iron Horse's gritty metal distortion on the 1959SLP's own aggressive saturation for a denser wall of gain.

JAM Pedals Octaurus

Into the 1959SLP's aggressive plexi saturation, the Octaurus's psychedelic octave shimmer turns thick and harmonically wild.

Electro-Harmonix POG2 Polyphonic Octave Generator

The Plexi's aggressive classic-rock saturation gives the POG2's layered octave voices a driven amp voice to push into.

Cornerstone Colosseum

The Plexi's aggressive, saturated tube breakup gives the Colosseum's harmonic, versatile gain a genuinely heavier amp voice to push into.

Zevex Zvex Distortron

Drive the 1959SLP's aggressive plexi saturation with the Distortron's thick, harmonically aggressive distortion for a dense lead tone.

Voodoo Lab Proctavia

Drive the 1959SLP's aggressive plexi saturation with the Proctavia's thick octave fuzz for a wild, harmonically dense lead tone.

Cordovox PH-8

The Plexi's aggressive classic-rock saturation gives the PH-8's psychedelic phase sweep a driven amp voice to move through.

Walrus Audio Fable

The Plexi's aggressive, saturated breakup gives the Fable's glitchy granular reverb a raw, driven signal to melt down instead of a pristine one. — goes in the amp's FX loop (or last, into a clean amp)

Hiwatt WEM Copicat Boost

Into the 1959SLP's aggressive plexi saturation, the Copicat Boost's clean boost pushes the amp's own gain stage harder.

Universal Audio OX Amp Top Box

Marshall Plexi 1959SLP leans toward aggressive, and that's a real, usable character to pair with

Zvex Seek Trem

The Plexi's aggressive, saturated breakup gives the Seek Trem's sequenced pulse plenty of harmonic content to chop up.

Wampler Sovereign Distortion

Push the 1959SLP's aggressive plexi saturation with the Sovereign's rich, boutique metal gain for a heavier stage tone.

Wampler Pinnacle Standard V2

Stack the Pinnacle's boutique metal distortion on the 1959SLP's own aggressive plexi saturation for a heavier, more sustained lead tone.

Old Blood Noise Endeavors Excess

Stack the Excess's experimental modulation and distortion on top of the 1959SLP's own thick plexi saturation for a wilder texture.

Electronic Audio Experiments Eldritch Blast V3

Push the 1959SLP's aggressive, spanky breakup with the Eldritch Blast's glitchy sub-octave fuzz for an even more extreme, unconventional texture.

Cordovox FL-8

The Plexi's aggressive classic-rock saturation gives the FL-8's shoegaze-flavored flanging a driven amp voice to sweep through.

ThorpyFX Fallout Cloud

Stack the Fallout Cloud's harmonically rich silicon fuzz on the 1959SLP's own aggressive plexi saturation for a wall of British gain.

Ibanez TS-808 Tube Screamer with Tamura Modification

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

BK Butler 911 Tube Driver

BK Butler 911 Tube Driver's smooth character and Marshall Plexi 1959SLP's aggressive voice sit in the same lane rather than fighting each other

Z.Vex Double Rock

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around

JHS Pedals JHS 1966 Italy Tone Bender

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

Boss SD-1W Super OverDrive Waza Craft

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around

Mooer A7 Ambience

Let the A7's church-style ambient reverb trail the 1959SLP's aggressive plexi saturation for extra depth on leads. — goes in the amp's FX loop (or last, into a clean amp)

Tru-Fi Octavia Fuzz

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying