Pedals that stack with the Marshall Plexi 1959SLP

ZVEX Fuzz Factory Hand-Painted

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

Zvex Limited Edition 20th Anniversary Fuzz Factory

Marshall Plexi 1959SLP leans toward aggressive, and that's a real, usable character to pair with

Zvex Maps Reverse Fuzz Factory

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around

Maestro FZ-1 Fuzz-Tone

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

ZVEX Fuzz Factory Vertical Vexter

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around

EarthQuaker Devices Hoof Fuzz V2

Both lean toward gritty and aggressive respectively — close enough in character that they complement instead of clashing

ProCo Sterling Vermin

ProCo Sterling Vermin's aggressive character and Marshall Plexi 1959SLP's aggressive voice sit in the same lane rather than fighting each other

Benson Amps Delay

The Plexi's aggressive, saturated tube breakup gives the Benson Delay's ambient slapback repeats a genuinely raw amp voice to trail off against. — goes in the amp's FX loop (or last, into a clean amp)

Strymon Flint Tremolo & Reverb

Let the Flint's vintage tremolo and reverb trail the 1959SLP's aggressive saturation for a surfy finish on a heavy amp.

Mu-Tron Octave Divider

Push the 1959SLP's aggressive saturation with the Octave Divider's tracked sub-octave for a thicker, synth-like low end.

Eventide Space

Into the Plexi's aggressive, saturated tube breakup, the Space's shimmering, studio-grade reverb has a genuinely raw amp voice to swell into. — goes in the amp's FX loop (or last, into a clean amp)

Boss CE-2W Chorus Waza Craft

The Plexi's aggressive, saturated tube breakup gives the CE-2W's lush, thick chorus sweep a genuinely raw amp voice to swirl through.

Walrus Audio Melee Wall of Noise Black

Stack the Melee's massive, noisy reverb on the 1959SLP's own aggressive saturation for a genuinely overwhelming wash. — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Micro POG Polyphonic Octave Generator

The Plexi's aggressive, saturated tube breakup gives the Micro POG's complex octave layers a genuinely raw amp voice to divide against.

Cusack Music Delay TME

The Plexi's aggressive, saturated tube breakup gives the Delay TME's reliable, American-voiced echo a genuinely raw amp voice to trail off against. — goes in the amp's FX loop (or last, into a clean amp)

Crazy Tube Circuits White Whale

The Plexi's aggressive, saturated tube breakup gives the White Whale's harmonic reverb-tremolo a genuinely raw amp voice to swell into. — goes in the amp's FX loop (or last, into a clean amp)

EarthQuaker Devices Night Wire

The Plexi's aggressive, saturated tube breakup gives the Night Wire's harmonic tremolo pulse a genuinely heavier amp voice to move through.

Pigtronix Philosophers Tone Optical Compressor

The Philosophers Tone's transparent squeeze evens out dynamics before the 1959SLP's own aggressive plexi breakup takes over.

Meris Mercury7 Reverb

Into the 1959SLP's aggressive saturation, the Mercury7's shoegaze-leaning reverb builds a wash on top of the amp's own thick breakup. — goes in the amp's FX loop (or last, into a clean amp)

JHS Tidewater Tremolo

Into the 1959SLP's aggressive plexi saturation, Tidewater's musical, organic tremolo adds vintage pulse on top of the amp's own drive.

Crazy Tube Circuits Splash MKIV Reverb

The Plexi's aggressive, saturated tube breakup gives the Splash MKIV's shimmering, surf-voiced reverb a genuinely raw amp voice to swell into. — goes in the amp's FX loop (or last, into a clean amp)

Hungry Robot The Borderland

Into the 1959SLP's aggressive plexi saturation, the Borderland's lush reverb adds boutique-scale ambience after the amp's own drive. — goes in the amp's FX loop (or last, into a clean amp)

Hungry Robot Moby Dick V2

Into the 1959SLP's aggressive plexi saturation, Moby Dick V2's massive, lush wash adds boutique-scale ambience after the amp's own drive. — goes in the amp's FX loop (or last, into a clean amp)

Vintage VFX07

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying