Pedals that stack with the Marshall Plexi 1959SLP

EarthQuaker Devices Organizer Octave Generator

Into the Plexi's aggressive, saturated tube breakup, the Organizer's swelling, psychedelic sub-octave has a genuinely raw amp voice to bloom into.

Walrus Audio Fathom

Let the Fathom's lush ambient reverb trail the 1959SLP's aggressive plexi saturation for depth on sustained leads. — goes in the amp's FX loop (or last, into a clean amp)

Cooper FX Pitch Card

The Plexi's aggressive, saturated tube breakup gives the Pitch Card's arcade-voiced pitch platform a genuinely raw amp voice to divide against.

Crazy Tube Circuits Splash

The Plexi's aggressive, saturated tube breakup gives the Splash's shimmering, surf-voiced reverb a genuinely raw amp voice to swell into. — goes in the amp's FX loop (or last, into a clean amp)

Tech 21 Killer Wail v2 Wah

The Killer Wail's vocal sweep cuts clean through the 1959SLP's thick, aggressive plexi saturation.

JAM Pedals Harmonious Monk MK1

Into the 1959SLP's aggressive plexi saturation, the Harmonious Monk's atmospheric tremolo adds pulsing motion on top of the amp's own drive.

Electro-Harmonix Stereo Pulsar

The Plexi's aggressive, saturated tube breakup gives the Stereo Pulsar's swelling, country-tinged tremolo a genuinely heavier amp voice to move through.

TC Electronic Flashback Delay

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

JAM Pedals Harmonious Monk mk2

The Monk Mk2's harmonic, touch-sensitive tremolo pulses on top of the 1959SLP's aggressive plexi saturation for a vintage-vibe wobble.

Electro-Harmonix Holy Grail Neo

Marshall Plexi 1959SLP leans toward aggressive, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Stereo Memory Man Vintage

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Pico Oceans 3-Verb

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Walrus Audio Julianna Deluxe Chorus/Vibrato

Run the Julianna's stereo chorus and vibrato on top of the 1959SLP's aggressive plexi saturation for a wide, swirling lead tone.

Free the Tone Future Factory FY-1

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Grand Canyon

Marshall Plexi 1959SLP leans toward aggressive, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Walrus Audio Mira

The Mira's optical compression evens out dynamics before the 1959SLP's aggressive plexi saturation takes over.

Fishman AFX ProEQMini

Into the Plexi's aggressive, saturated tube breakup, the ProEQMini's reliable, DI-friendly EQ has a genuinely raw amp voice to shape.

Catalinbread Valcoder Vintage Tremolo

The Plexi's aggressive, saturated tube breakup gives the Valcoder's vintage, country-clean tremolo pulse a genuinely heavier amp voice to move through.

Malekko Omicron Phase

Into the 1959SLP's aggressive plexi saturation, the Omicron Phase's sweep swirls on top of an already-thick, driven tone.

JAM Pedals Retrovibe mk3

Into the 1959SLP's aggressive plexi saturation, Retrovibe's psychedelic uni-vibe swirl adds blues-rock motion on top of the amp's own drive.

Mooer Ocean Machine 2 Devin Townsend Signature

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

EarthQuaker Devices Arpanoid Polyphonic Pitch Arpeggiator

Into the Plexi's aggressive, saturated tube breakup, the Arpanoid's boutique, ambient pitch arpeggios have a genuinely raw amp voice to color.

Horizon Devices Flux Echo

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Meris LVX Modular Delay System

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)