Pedals that stack with the Marshall Bluesbreaker

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Into the Bluesbreaker's round, natural tube breakup, the Glaive's extreme, doom-voiced octave fuzz has a genuinely raw amp voice to push into.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker leans warm right where the bright tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Marshall Bluesbreaker after it and the bright edge settles into something more warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Marshall Bluesbreaker leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Marshall Bluesbreaker brings a pull toward compressed that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Marshall Bluesbreaker's glassy balances out the dark tone — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker leans warm right where the bright tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Marshall Bluesbreaker leans glassy right where the dark tone needs it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Marshall Bluesbreaker brings a pull toward compressed that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Marshall Bluesbreaker after it and the bright edge settles into something more warm — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Marshall Bluesbreaker leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Marshall Bluesbreaker after it and the bright edge settles into something more warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker leans warm right where the bright tone needs it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Marshall Bluesbreaker leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Marshall Bluesbreaker answers back warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Marshall Bluesbreaker answers back bright — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Marshall Bluesbreaker brings a pull toward compressed that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The OCD's overdrive, overtone, and crunch fronts the Bluesbreaker's natural, round breakup for a bigger blues-rock push.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp