Pedals that stack with the Marshall Bluesbreaker

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Used together by 1 artist

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Marshall Bluesbreaker's own compressed character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Used together by 1 artist

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker leans warm right where the bright tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker leans warm right where the bright tone needs it

Goes in front of the amp

Used together by 1 artist

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker leans warm right where the bright tone needs it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Marshall Bluesbreaker after it and the bright edge settles into something more warm

Goes in front of the amp

Used together by 1 artist

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Stack the Charon's germanium-silicon hybrid crunch on the Bluesbreaker's own natural, rounded breakup for a richer texture.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Into the Bluesbreaker's round, natural tube breakup, the History Lesson's dry, clear delay has a warm amp voice to trail off against. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Marshall Bluesbreaker answers back warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Marshall Bluesbreaker brings a pull toward compressed that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Marshall Bluesbreaker answers back warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Bluesbreaker's natural compression gives the CE-1's lush stereo chorus a warm, dynamic amp voice to swirl through.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Marshall Bluesbreaker brings a pull toward compressed that's missing

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Marshall Bluesbreaker brings a pull toward compressed that's missing

Goes in front of the amp