Pedals that stack with the Marshall Bluesbreaker

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Where this leans dark, Marshall Bluesbreaker answers back glassy — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Marshall Bluesbreaker's own compressed character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Bluesbreaker's round, natural tube breakup gives the Michelangelo's treble-boosted JFET crunch a warmer amp voice to push into.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Into the Bluesbreaker's round, natural tube breakup, the Surveyor's reliable, transformer-driven push has real headroom to open up.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker leans warm right where the bright tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Marshall Bluesbreaker leans warm right where the bright tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Marshall Bluesbreaker's glassy balances out the dark tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Marshall Bluesbreaker answers back warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Marshall Bluesbreaker's glassy balances out the dark tone — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Bluesbreaker's round, natural tube compression gives the Turbo Rat's aggressive clipping a warmer amp voice than a harder-edged head would.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Marshall Bluesbreaker's glassy balances out the dark tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Marshall Bluesbreaker's glassy balances out the dark tone — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Used together by 1 artist

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Marshall Bluesbreaker after it and the bright edge settles into something more warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

The Bluesbreaker's natural, round breakup gives the AT+'s treble-forward, transparent overdrive a warmer classic blues platform.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp