Pedals that stack with the Marshall Bluesbreaker
← everything about the Marshall Bluesbreaker
All 142 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Xotic Effects SL Drive
Xotic
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Marshall Bluesbreaker answers back warm
Goes in front of the amp
Revv Shawn Tubbs Tilt
Revv
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Marshall Bluesbreaker after it and the bright edge settles into something more warm
Goes in front of the amp
Universal Audio Enigmatic '82 Overdrive Special Amp
Universal Audio
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around
Goes in front of the amp
Lovepedal Hi Volt
Lovepedal
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Marshall Bluesbreaker after it and the bright edge settles into something more warm
Goes in front of the amp
Catalinbread NiCompressor
Catalinbread
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)
Marshall Bluesbreaker's glassy balances out the dark tone
Goes in front of the amp
Tone City Dry Martini
Tone City
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
Vertex T Drive
Vertex
33% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, Marshall Bluesbreaker brings a pull toward compressed that's missing
Goes in front of the amp
Friedman IR-J Jake E Lee Boost
Friedman
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Bluesbreaker leans warm right where the bright tone needs it
Goes in front of the amp
Electronic Audio Experiments Limelight
Electronic Audio Experiments
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Bluesbreaker's warm balances out the bright tone
Goes in front of the amp
NuX SSD-10
Nux
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Marshall Bluesbreaker after it and the bright edge settles into something more warm
Goes in front of the amp
MXR M249 Super Badass Dynamic O.D.
MXR
33% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Marshall Bluesbreaker leans this dynamic tone toward compressed, which it doesn't make on its own
Goes in front of the amp
MXR M233
MXR
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Bluesbreaker leans warm right where the bright tone needs it
Goes in front of the amp
Black Country Customs Monolith
Black Country Customs
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
Vox Valvenergy Tone Sculptor
Vox
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Marshall Bluesbreaker after it and the bright edge settles into something more warm
Goes in front of the amp
Walrus Audio Fundamental Distortion
Walrus Audio
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)
Marshall Bluesbreaker leans glassy right where the dark tone needs it
Goes in front of the amp
JAM Pedals Rattler V2
Jam Pedals
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)
Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy
Goes in front of the amp
Origin Effects MAGMA57 Amp Vibrato & Drive
Origin Effects
32% matchMarshall Bluesbreaker's own compressed character is the real reason this is worth trying
Goes in front of the amp
Vox Wah Pedal (General)
Vox
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)
Marshall Bluesbreaker leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
Wampler Paisley Drive
Wampler
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)
Marshall Bluesbreaker leans glassy right where the dark tone needs it
Goes in front of the amp
JHS Morning Glory
JHS Pedals
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Marshall Bluesbreaker brings here leans toward compressed — that's worth building a pairing around
Goes in front of the amp
Electro-Harmonix Spruce Goose
Electro-Harmonix
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Bluesbreaker leans warm right where the bright tone needs it
Goes in front of the amp
T-Rex Replica Delay
T Rex
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)
Marshall Bluesbreaker leans glassy right where the dark tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Catalinbread Belle Epoch
Catalinbread
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Bluesbreaker answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Boss CH-1 Super Chorus
Boss
32% matchUsed together by 1 artist
fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)
Run Marshall Bluesbreaker after it and the dark edge settles into something more glassy
Goes in front of the amp