Pedals that stack with the Marshall JCM800 2205 50-Watt Amplifier Head
← everything about the Marshall JCM800 2205 50-Watt Amplifier Head
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Xotic BB Preamp
Xotic
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Xotic BB Preamp leans smooth right where the bright tone needs it
Goes in front of the amp
Browne Amplification Gritador
Browne Amplification
28% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Browne Amplification Gritador pushes a high gain tone toward mid-forward
Goes in front of the amp
Wampler Plexi Drive
Wampler
26% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Wampler Plexi Drive's own crunchy character is the real reason this is worth trying
Goes in front of the amp
Spaceman Explorer 6-Stage Phaser
Spaceman
24% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Marshall JCM800 2205 50-Watt Amplifier Head's bright voice out front: Spaceman Explorer 6-Stage Phaser goes after Marshall JCM800 2205 50-Watt Amplifier Head in the signal chain so its lush voice doesn't muddy it
Goes in front of the amp
Suhr Discovery
Suhr
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Suhr Discovery in Marshall JCM800 2205 50-Watt Amplifier Head's effects loop, clear of Marshall JCM800 2205 50-Watt Amplifier Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Crazy Tube Circuits Golden Ratio
Crazy Tube Circuits
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Crazy Tube Circuits Golden Ratio's own tight character is the real reason this is worth trying
Goes in front of the amp
Strymon TimeLine
Strymon
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Strymon TimeLine in Marshall JCM800 2205 50-Watt Amplifier Head's effects loop, clear of Marshall JCM800 2205 50-Watt Amplifier Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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