Pedals that stack with the Marshall Super Bass
← everything about the Marshall Super Bass
All 155 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
PastFx 80/A Flanger MN3007
Pastfx
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
ThorpyFX Deep Oggin V2 Chorus/Vibrato
ThorpyFX
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Beetronics Overhive Custom Skulls
Beetronics
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Death By Audio Echo Master Black Plate
Death By Audio
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Ibanez AD Mini
Ibanez
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Benson Amps Tall Bird Plus
Benson Amps
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
NuX Reissue Series Analog Delay
Nux
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Ibanez CS Mini Compressor/Sustainer
Ibanez
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
Behringer VD400 Vintage Analog Delay
Behringer
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Hungry Robot The Aether Modulating Delay
Hungry Robot
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Lovepedal Echo Baby
Lovepedal
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Matthews Effects The Surgeon Delay V2
Matthews Effects
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
EarthQuaker Devices Silos Multi-Generational Time Reflection
EarthQuaker Devices
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Carl Martin Atlantic Chorus
Carl Martin
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Death By Audio Echo Master
Death By Audio
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Wampler Metaverse
Wampler
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
T-Rex Reptile Delay
T Rex
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
What Marshall Super Bass brings here leans toward bright — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Hungry Robot BD LT
Hungry Robot
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Chase Bliss Tonal Recall Red Knob
Chase Bliss Audio
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Subdecay EchoBox
Subdecay
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Death By Audio Micro Dream
Death By Audio
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
T-Rex Replicator D'luxe
T Rex
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Electro-Harmonix Andy Summers Walking on the Moon
Electro-Harmonix
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Walrus Audio Mako Series D1 V2
Walrus Audio
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop