Pedals that stack with the Marshall Super Bass
← everything about the Marshall Super Bass
All 155 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Red Witch Empress
Red Witch
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
ZVEX Basstortion Vexter
Zvex
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
Run Marshall Super Bass after it and the dark edge settles into something more bright
Goes in front of the amp
Carl Martin Bass Chorus
Carl Martin
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright
Goes in front of the amp
JAM Pedals Harmonious Monk Tremolo
Jam Pedals
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Ashdown Pro FX Vintage Fuzz
Ashdown
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Ashdown Stuart Zender Funk Face
Ashdown
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
What Marshall Super Bass brings here leans toward bright — that's worth building a pairing around
Goes in front of the amp
Electro-Harmonix Bass Preacher
Electro-Harmonix
15% matchMarshall Super Bass's own bright character is the real reason this is worth trying
Goes in front of the amp
JAM Lucy Dreamer Bass
Jam Pedals
12% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Marshall Super Bass for more fuzzy on top
Goes in front of the amp
Caline CP 83 Yellow Bass Chorus
Caline
12% matchWhat Marshall Super Bass brings here leans toward bright — that's worth building a pairing around
Goes in front of the amp
Electro-Harmonix Battalion
Electro-Harmonix
12% matchWhat Marshall Super Bass brings here leans toward bright — that's worth building a pairing around
Goes in front of the amp
Cry Baby Dunlop 105Q CB Bass
Cry Baby
11% matchMarshall Super Bass stacks fuzzy on top of the mid-forward already here
Goes in front of the amp