Pedals that stack with the Meris Mercury7 Reverb

Mooer 008

Put the Mercury7 after the 008's tight, high-gain preamp voicing so the reverb wash comes after the gain, not smeared into it.

Walrus Audio Iron Horse V3

Run Meris Mercury7 Reverb after Walrus Audio Iron Horse V3 in the signal chain, clear of Walrus Audio Iron Horse V3's own gain stage

Klon Centaur

Mercury7's lush, shoegaze-scale reverb closes out the Klon's midrange breakup with ambient space rather than more gain.

Mooer Micro Preamp 013 Matchbox

Meris Mercury7 Reverb's ambient voice goes after Mooer Micro Preamp 013 Matchbox in the signal chain — it's not there to compete with Mooer Micro Preamp 013 Matchbox's own transparent character

Crowther Double Hot Cake

Run Meris Mercury7 Reverb after Crowther Double Hot Cake in the signal chain, clear of Crowther Double Hot Cake's own gain stage

ZVEX Box of Rock

The Mercury7's lush, ambient reverb tails go at the end of the chain, catching the Box of Rock's everything-on-ten crunch rather than getting distorted itself.

Mooer Micro Preamp US Gold 100

Meris Mercury7 Reverb's ambient voice goes after Mooer Micro Preamp US Gold 100 in the signal chain — it's not there to compete with Mooer Micro Preamp US Gold 100's own high gain character

Wampler Hot Wired V2 Brent Mason Signature

Put Meris Mercury7 Reverb after Wampler Hot Wired V2 Brent Mason Signature in the signal chain, clear of Wampler Hot Wired V2 Brent Mason Signature's own gain stage

Mooer Green Mile Mini Overdrive

Put Meris Mercury7 Reverb after Mooer Green Mile Mini Overdrive in the signal chain, clear of Mooer Green Mile Mini Overdrive's own gain stage

Dallas Rangemaster Treble Booster

Feed the Mercury7's lush, shoegaze reverb with the Rangemaster's germanium treble boost and the wash gets a brighter signal to decay into.

Suhr Eclipse

Keep Suhr Eclipse's high gain voice out front: Meris Mercury7 Reverb goes after Suhr Eclipse in the signal chain so its ambient voice doesn't muddy it

Walrus Audio Warhorn

Put Meris Mercury7 Reverb after Walrus Audio Warhorn in the signal chain, clear of Walrus Audio Warhorn's own gain stage

Carl Martin Hydra boost

Keep Carl Martin Hydra boost's clean boost voice out front: Meris Mercury7 Reverb goes after Carl Martin Hydra boost in the signal chain so its ambient voice doesn't muddy it

Rainger FX Break Box

Meris Mercury7 Reverb's ambient voice goes after Rainger FX Break Box in the signal chain — it's not there to compete with Rainger FX Break Box's own high gain character

MXR Phase 90

The Phase 90's swirl sits best ahead of the Mercury7's reverb tail, so the modulation gets wrapped in reverb instead of chasing it.

Mooer Micro Preamp 003 Power-Zone (Koch PowerTone)

Run Meris Mercury7 Reverb after Mooer Micro Preamp 003 Power-Zone (Koch PowerTone) in the signal chain, clear of Mooer Micro Preamp 003 Power-Zone (Koch PowerTone)'s own gain stage

Amptweaker Tight Rock 2

Keep the Mercury7's lush, shoegaze reverb trailing after Tight Rock 2's gated metal gain, not before, or the reverb just smears the distortion.

Black Arts Toneworks -Fnord

Meris Mercury7 Reverb's ambient voice goes after Black Arts Toneworks -Fnord in the signal chain — it's not there to compete with Black Arts Toneworks -Fnord's own octave character

Matthews Effects The Harbinger Distortion

Run Meris Mercury7 Reverb after Matthews Effects The Harbinger Distortion in the signal chain, clear of Matthews Effects The Harbinger Distortion's own gain stage

Mesa Boogie Throttle Box Overdrive

Put Meris Mercury7 Reverb after Mesa Boogie Throttle Box Overdrive in the signal chain, clear of Mesa Boogie Throttle Box Overdrive's own gain stage

Matthews Effects The Breaker

Keep Meris Mercury7 Reverb after Matthews Effects The Breaker in the signal chain, clear of Matthews Effects The Breaker's own gain stage

Death By Audio Supersonic Fu

Put Meris Mercury7 Reverb after Death By Audio Supersonic Fu in the signal chain, clear of Death By Audio Supersonic Fu's own gain stage

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

Layer the Rotosphere's Leslie swirl after the Mercury7's lush, ambient shoegaze wash for motion inside an already-huge reverb tail.

Dunlop Custom Badass

Keep Dunlop Custom Badass's compressed voice out front: Meris Mercury7 Reverb goes after Dunlop Custom Badass in the signal chain so its ambient voice doesn't muddy it