Pedals that stack with the Meris Mercury7 Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Sonicake Dejent in the signal chain, clear of Sonicake Dejent's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after Fortin Amplification Natas in the signal chain, clear of Fortin Amplification Natas's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Revv Amplification Mauler in the signal chain, clear of Revv Amplification Mauler's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Crowther Double Hot Cake in the signal chain, clear of Crowther Double Hot Cake's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Wampler SLOstortion in the signal chain, clear of Wampler SLOstortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after TC Electronic Dark Matter Distortion in the signal chain, clear of TC Electronic Dark Matter Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Demon FX Gladiator Double Preamp Just's high gain voice out front: Meris Mercury7 Reverb goes after Demon FX Gladiator Double Preamp Just in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Keeley Angry 4-in-1 Distortion/Fuzz in the signal chain, clear of Keeley Angry 4-in-1 Distortion/Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after MXR Van Halen in the signal chain, clear of MXR Van Halen's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Maxon SM9Pro+ Super Metal Pro Plus Distortion in the signal chain, clear of Maxon SM9Pro+ Super Metal Pro Plus Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Empress Heavy Menace in the signal chain, clear of Empress Heavy Menace's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after Walrus Audio Mako ACS1 MKII in the signal chain, clear of Walrus Audio Mako ACS1 MKII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Tech 21 PED PSA Preamp 30 TH ANN in the signal chain, clear of Tech 21 PED PSA Preamp 30 TH ANN's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Boss IR-2 Amp in the signal chain — it's not there to compete with Boss IR-2 Amp's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after Roland ST-2 Power Stack in the signal chain, clear of Roland ST-2 Power Stack's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after Wylde Audio MXR WA44 Overdrive in the signal chain, clear of Wylde Audio MXR WA44 Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Tone City Double Engine T40 Rectified High Energy in the signal chain, clear of Tone City Double Engine T40 Rectified High Energy's own gain stage

Comes earlier in the signal chain

Feed the Mercury7's lush, shoegaze reverb with the Rangemaster's germanium treble boost and the wash gets a brighter signal to decay into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Tone City Model M's high gain voice out front: Meris Mercury7 Reverb goes after Tone City Model M in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after Tech 21 XXL in the signal chain, clear of Tech 21 XXL's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after ThorpyFX Warthog Distortion in the signal chain, clear of ThorpyFX Warthog Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

The Mercury7's lush, ambient reverb tails go at the end of the chain, catching the Box of Rock's everything-on-ten crunch rather than getting distorted itself.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after NuX Fireman in the signal chain, clear of NuX Fireman's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Wampler Pinnacle Deluxe V2 in the signal chain — it's not there to compete with Wampler Pinnacle Deluxe V2's own high gain character

Comes earlier in the signal chain