Pedals that stack with the Meris Mercury7 Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep ENO EX-Inferno's high gain voice out front: Meris Mercury7 Reverb goes after ENO EX-Inferno in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Greer Super Hornet's aggressive voice out front: Meris Mercury7 Reverb goes after Greer Super Hornet in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after DigiTech DHH Hot Head in the signal chain — it's not there to compete with DigiTech DHH Hot Head's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Donner Extreme Driver in the signal chain — it's not there to compete with Donner Extreme Driver's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after NUX Recto Distortion in the signal chain, clear of NUX Recto Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep NUX NFB-2 Lacerate FET Boost's high gain voice out front: Meris Mercury7 Reverb goes after NUX NFB-2 Lacerate FET Boost in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Maxon Sm-9 Pro+ in the signal chain — it's not there to compete with Maxon Sm-9 Pro+'s own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Roland Core Distortion's high gain voice out front: Meris Mercury7 Reverb goes after Roland Core Distortion in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Mooer Rage Machine in the signal chain, clear of Mooer Rage Machine's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Malekko Fetish MKII in the signal chain — it's not there to compete with Malekko Fetish MKII's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Tone City Model S Distortion's high gain voice out front: Meris Mercury7 Reverb goes after Tone City Model S Distortion in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after Rocktron Sonic Glory in the signal chain, clear of Rocktron Sonic Glory's own gain stage

Comes earlier in the signal chain

What ProCo RAT 2 brings here leans toward low gain — that's worth building a pairing around

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep REVV G4 V2 Distortion's high gain voice out front: Meris Mercury7 Reverb goes after REVV G4 V2 Distortion in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Providence - SDT-3 Stampede DT in the signal chain, clear of Providence - SDT-3 Stampede DT's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Diezel VH4V2 in the signal chain, clear of Diezel VH4V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Mooer Green Mile Mini Overdrive in the signal chain, clear of Mooer Green Mile Mini Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Peavey Rock Master Preamp in the signal chain, clear of Peavey Rock Master Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after Free The Tone HB-2 Heat Blaster Distortion in the signal chain, clear of Free The Tone HB-2 Heat Blaster Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Bogner Uberschall in the signal chain, clear of Bogner Uberschall's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep ISP Technologies Distortion's high gain voice out front: Meris Mercury7 Reverb goes after ISP Technologies Distortion in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Peavey VTM Preamp in the signal chain — it's not there to compete with Peavey VTM Preamp's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after SONICAKE Black Hammer in the signal chain, clear of SONICAKE Black Hammer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Carl Martin Heavy Drive's high gain voice out front: Meris Mercury7 Reverb goes after Carl Martin Heavy Drive in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain