Pedals that stack with the Meris Mercury7 Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Donner Big Mouth Distortion in the signal chain, clear of Donner Big Mouth Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Wampler Mofetta in the signal chain, clear of Wampler Mofetta's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Mooer Micro Preamp 019 UK Gold PLX in the signal chain — it's not there to compete with Mooer Micro Preamp 019 UK Gold PLX's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after ISP Technologies Theta Preamp Distortion in the signal chain — it's not there to compete with ISP Technologies Theta Preamp Distortion's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after Revv Chat Breaker in the signal chain, clear of Revv Chat Breaker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after J. Rockett 10 Ton Hammer Overdrive in the signal chain — it's not there to compete with J. Rockett 10 Ton Hammer Overdrive's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Tone City TC Model M V2 in the signal chain — it's not there to compete with Tone City TC Model M V2's own mid-forward character

Comes earlier in the signal chain

Layer the Rotosphere's Leslie swirl after the Mercury7's lush, ambient shoegaze wash for motion inside an already-huge reverb tail.

Comes earlier in the signal chain

The Small Stone's vowel-y, psychedelic phase sweep colors the Mercury7's lush, shoegaze reverb directly instead of the dry signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb after NuX Brownie in the signal chain, clear of NuX Brownie's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Meris Mercury7 Reverb after Carl Martin Crush Zone in the signal chain, clear of Carl Martin Crush Zone's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb after Fender Full Moon in the signal chain, clear of Fender Full Moon's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Wampler Golden Jubilee's crunchy voice out front: Meris Mercury7 Reverb goes after Wampler Golden Jubilee in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes after Mooer 015 Brown Sound Micro Preamp in the signal chain — it's not there to compete with Mooer 015 Brown Sound Micro Preamp's own full character

Comes earlier in the signal chain