Amps that pair well with the Mesa Boogie Flux-Drive

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Mesa built the Flux-Drive to extend its own amps' voicing, and pushed into a Mark I's honky, midrange-forward preamp it just sounds like more amp.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Into the Triple Rectifier's own high-gain channels, the Flux-Drive adds warm, blues-rooted saturation rather than the amp's characteristically fizzier metal crunch.

Comes later in the signal chain

What Mesa Boogie Flux-Drive brings here leans toward crunchy — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Mesa Boogie Flux-Drive answers back warm

Comes later in the signal chain

Mesa Boogie Flux-Drive leans toward crunchy, and that's a real, usable character to pair with

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

What Mesa Boogie Flux-Drive brings here leans toward crunchy — that's worth building a pairing around

Comes later in the signal chain

Run Mesa Boogie Flux-Drive into that high headroom platform and it finally leans toward crunchy

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Mesa Boogie Flux-Drive for more high gain on top

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Mesa Boogie Flux-Drive leans toward crunchy, and that's a real, usable character to pair with

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

What Mesa Boogie Flux-Drive brings here leans toward crunchy — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Mesa Boogie Flux-Drive after it and the bright edge settles into something more warm

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Mesa Boogie Flux-Drive's warm balances out the bright tone

Comes later in the signal chain

The high headroom tone has headroom to spare — Mesa Boogie Flux-Drive leans it toward crunchy to fill it in

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Mesa Boogie Flux-Drive leans warm right where the bright tone needs it

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Into a low gain tone, Mesa Boogie Flux-Drive brings a pull toward high gain that's missing

Comes later in the signal chain

Run Mesa Boogie Flux-Drive into that high headroom platform and it finally leans toward crunchy

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Mesa Boogie Flux-Drive leans this low gain tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

What Mesa Boogie Flux-Drive brings here leans toward crunchy — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Mesa Boogie Flux-Drive answers back warm

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Mesa Boogie Flux-Drive after it and the bright edge settles into something more warm

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Mesa Boogie Flux-Drive leans warm right where the bright tone needs it

Comes later in the signal chain

The high headroom tone has headroom to spare — Mesa Boogie Flux-Drive leans it toward crunchy to fill it in

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Mesa Boogie Flux-Drive's warm balances out the bright tone

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Mesa Boogie Flux-Drive after it and the bright edge settles into something more warm

Comes later in the signal chain