Pedals that stack with the Mr. Black Bloodmoon

Catalinbread Galileo

Where this leans dark, Catalinbread Galileo answers back bright

Boss CE-1 Chorus Ensemble

Keep Mr. Black Bloodmoon's dark voice out front: Boss CE-1 Chorus Ensemble goes after Mr. Black Bloodmoon in the signal chain so its lush voice doesn't muddy it

Catalinbread Formula 55

Catalinbread Formula 55 leans bright right where the dark tone needs it

Tone City Summer Orange

Keep Tone City Summer Orange after Mr. Black Bloodmoon in the signal chain, clear of Mr. Black Bloodmoon's own gain stage

Ibanez Tube Screamer

Put the Bloodmoon at the end of the chain — the Screamer's mid-forward push stays crisp while the reverb goes dark and doomy behind it.

Klon Centaur

Keep the Bloodmoon after the Klon — the transparent midrange boost stays intact while the reverb adds its own dark, doomy tail.

MXR Dyna Comp

Put the Bloodmoon after the Dyna Comp — the compressor's sustain stays even and the reverb just tails off into that dark, doomy wash.

Fulltone OCD

The Bloodmoon's dark, doom-voiced reverb gives the OCD's firm, thick drive a heavy atmosphere to trail into.

Electro-Harmonix Small Stone

Keep the Bloodmoon after the Small Stone — the vowel-y phase sweep stays clear and the reverb just adds a dark tail behind it.

TC Electronic SCF Gold SE Stereo

Let the Bloodmoon's dark reverb trail the SCF's stereo chorus for a wider, more atmospheric finish.

Electro-Harmonix Crayon

Keep the Bloodmoon after the Crayon — the transparent, treble-forward drive stays articulate and the reverb adds a dark, doomy tail behind it.

J. Rockett Archer

The Bloodmoon's dark, doom-voiced reverb gives the Archer's creamy, treble-boosted drive a heavy atmosphere to trail into.

Nobels ODR-1

The Bloodmoon's dark, doom-voiced reverb gives the ODR-1's thick mid-drive a heavy atmosphere to trail into.

Catalinbread VariOboost

Run the Bloodmoon's dark, creamy reverb after the VariOboost's transparent boost so the wash trails a signal that already has its brightness dialed in.

Wampler Ego Compressor

Ahead of the Bloodmoon's dark, creamy reverb, the Ego Compressor's transparent sustain gives the wash a fuller, more even signal to trail behind.

TC Electronic Stereo Chorus Flanger

Run the Stereo Chorus Flanger before the Bloodmoon so its subtle sweep trails into the reverb's thick, doom-leaning wash instead of racing past it.

Keeley Red Dirt Overdrive

Let the Bloodmoon's dark, creamy reverb trail the Red Dirt's thick, articulate overdrive for extra depth on the tail end.

Boss BC-1X

The Bloodmoon's dark, doom-voiced reverb trails the BC-1X's live, mid-forward compression with a controlled signal to decay.

Greer Southland

Keep the Bloodmoon after the Southland — the transparent, clean-boost-leaning drive stays articulate and the reverb adds a dark, doomy tail behind it.

Z.Vex Super Hard On

Push the Bloodmoon's dark, creamy reverb with the Super Hard On's clean JFET boost first, so the wash has more signal to swell around.

TC Electronic MojoMojo Overdrive

Keep the Bloodmoon's dark, creamy reverb after the MojoMojo so the drive's organic saturation stays the lead voice.

Analog Man King of Tone

Keep the Bloodmoon's dark, creamy reverb after the King of Tone's transparent drive, so the wash trails a defined tone instead of a raw one.

JHS Clover

Keep JHS Clover's bright voice out front: Mr. Black Bloodmoon goes after JHS Clover in the signal chain so its dark voice doesn't muddy it

Jackson Audio Golden Boy

Let the Bloodmoon's dark, creamy reverb trail the Golden Boy's transparent drive instead of muddying it upfront.