Amps that pair well with the MXR Analog Delay

Marshall Super Bass

Slapback from the Analog Delay stays clear through the Super Bass's clear, present voicing instead of getting lost in mud.

PRS HX 100 Head

Run the Analog Delay in the HX 100's loop so its warm slapback trails the amp's British crunch instead of blurring into it.

Marshall Studio Classic SC20H 20W Head

Slapback from the Analog Delay sits behind the SC20H's aggressive JCM800-style bite without smearing the amp's midrange attack.

Marshall Bluesbreaker

Run the Analog Delay in the loop after the Bluesbreaker's breakup — warm slapback that doesn't smear the amp's own compression.

Orange Rockerverb 50 MkIII 2-Channel 50W Head

Keep the Analog Delay in the Rockerverb's loop, trailing the amp's own thick, doom-leaning gain instead of getting caught up front in it.

PRS HX 50 Head

Keep the Analog Delay's warm, slapback echo in the HX 50's loop, clear of the amp's own tube-driven distortion.

Marshall JVM210H Head

Run MXR Analog Delay in Marshall JVM210H Head's effects loop, clear of Marshall JVM210H Head's own gain stage

Laney Cub 8 Valve

Run the Analog Delay in the Cub 8's loop so its warm slapback repeats stay after the amp's own breakup, not in front of it.

Marshall DSL100H

Keep Marshall DSL100H's high gain voice out front: MXR Analog Delay goes in Marshall DSL100H's effects loop so its ambient voice doesn't muddy it

Suhr SL68 MkII 100-Watt

Warm slapback from the Analog Delay sits well in the SL68's loop, behind the amp's own fat British preamp voicing.

Marshall Studio Classic SC20C 20W 1x10 Combo

Put MXR Analog Delay in Marshall Studio Classic SC20C 20W 1x10 Combo's effects loop, clear of Marshall Studio Classic SC20C 20W 1x10 Combo's own gain stage

Laney Richter

Run the Analog Delay in the Richter's loop so its warm slapback stays after the amp's own EQ shaping.

Marshall YJM100 Head

Keep the Analog Delay in the YJM100's loop, after the amp's own noise gate and preamp gain, so warm slapback doesn't stack noise.

Orange Gain Baby 100

Into Orange Gain Baby 100, MXR Analog Delay is right at home: it's built around Marshall-style amps

Marshall DSL20HR Head

Keep MXR Analog Delay in Marshall DSL20HR Head's effects loop, clear of Marshall DSL20HR Head's own gain stage

Sound City One Hundred (L100)

MXR Analog Delay's own voicing points at Marshall-style amps, and Sound City One Hundred (L100) delivers it

Marshall JCM800 Purple Ltd

Keep MXR Analog Delay in Marshall JCM800 Purple Ltd's effects loop, clear of Marshall JCM800 Purple Ltd's own gain stage

Blackstar HT Club 40

Blackstar HT Club 40 leans into Marshall-style amps, precisely the platform MXR Analog Delay wants

Blackstar Artist 30

Into Blackstar Artist 30, MXR Analog Delay is right at home: it's built around Marshall-style amps

Laney Digbeth Foundry DBF100

Run the Analog Delay in the DBF100's loop so its warm slapback trails the amp's own punchy FET-driven breakup.

Marshall 1959HW Hand Wired

Run MXR Analog Delay in Marshall 1959HW Hand Wired's effects loop, clear of Marshall 1959HW Hand Wired's own gain stage

3rd Power Phantom Dragon 45

Run the Analog Delay in the Phantom Dragon 45's loop for warm, dry-mix slapback beyond the amp's own expressive preamp.

Blackstar DA100 Doug Aldrich Signature 100W Tube

Into Blackstar DA100 Doug Aldrich Signature 100W Tube, MXR Analog Delay is right at home: it's built around Marshall-style amps

Marshall Studio Classic SC20H Limited Purple

Keep Marshall Studio Classic SC20H Limited Purple's harmonically rich voice out front: MXR Analog Delay goes in Marshall Studio Classic SC20H Limited Purple's effects loop so its ambient voice doesn't muddy it