Amps that pair well with the MXR Analog Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Put MXR Analog Delay in Peavey 6505 MH 20W Mini Head's effects loop, clear of Peavey 6505 MH 20W Mini Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay in Engl E 635 100 Head's effects loop, clear of Engl E 635 100 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Put MXR Analog Delay in Hughes & Kettner TubeMeister 18's effects loop, clear of Hughes & Kettner TubeMeister 18's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Bad Cat Rubicon 2-Ch 25-Watt Lunchbox Head's high gain voice out front: MXR Analog Delay goes in Bad Cat Rubicon 2-Ch 25-Watt Lunchbox Head's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Bad Cat Pre-Sale! Hot Cat Head's high gain voice out front: MXR Analog Delay goes in Bad Cat Pre-Sale! Hot Cat Head's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep MXR Analog Delay in Marshall DSL20HR Head's effects loop, clear of Marshall DSL20HR Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay in Peavey ValveKing II's effects loop, clear of Peavey ValveKing II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep MXR Analog Delay in Blackstar HT Club 40's effects loop, clear of Blackstar HT Club 40's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Laney LV100's crunchy voice out front: MXR Analog Delay goes in Laney LV100's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

MXR Analog Delay's warm voice goes in Blackstar HT Stage 100 Head's effects loop — it's not there to compete with Blackstar HT Stage 100 Head's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

MXR Analog Delay's warm voice goes in Blackstar Stage 602 MKII's effects loop — it's not there to compete with Blackstar Stage 602 MKII's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Blackstar 1RH MKII's crunchy voice out front: MXR Analog Delay goes in Blackstar 1RH MKII's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay in Diezel Paul 45W Head's effects loop, clear of Diezel Paul 45W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay in Blackstar HT Club 100 HTV-100 MKIII 100-Watt's effects loop, clear of Blackstar HT Club 100 HTV-100 MKIII 100-Watt's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay in Diezel VH-2 100 Watt Head's effects loop, clear of Diezel VH-2 100 Watt Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay in Mesa Boogie Rectifier Badlander EL84/25 Head's effects loop, clear of Mesa Boogie Rectifier Badlander EL84/25 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

MXR Analog Delay's warm voice goes in Laney Ironheart IRT30-112 1x12 Combo's effects loop — it's not there to compete with Laney Ironheart IRT30-112 1x12 Combo's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in ENGL E651 Artist Edition's effects loop, clear of ENGL E651 Artist Edition's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay in Suhr Badger 18's effects loop, clear of Suhr Badger 18's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep MXR Analog Delay in Traynor YCV40/50 20th Anniversary Combo's effects loop, clear of Traynor YCV40/50 20th Anniversary Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in Blackstar Debut 100R's effects loop, clear of Blackstar Debut 100R's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Carr Skylark's crunchy voice out front: MXR Analog Delay goes in Carr Skylark's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep MXR Analog Delay in Blackstar HT20R MkII's effects loop, clear of Blackstar HT20R MkII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep MXR Analog Delay in Blackstar HT Club 50 Head Mk III's effects loop, clear of Blackstar HT Club 50 Head Mk III's own gain stage

Comes earlier in the signal chain