Amps that pair well with the MXR Analog Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Blackstar St. James 50 6L6 Combo's compressed voice out front: MXR Analog Delay goes in Blackstar St. James 50 6L6 Combo's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Put MXR Analog Delay in Traynor YCV50B's effects loop, clear of Traynor YCV50B's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay in PRS Sonzera 20 Combo's effects loop, clear of PRS Sonzera 20 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

MXR Analog Delay's warm voice goes in Blackstar HT20 Mk. II 20 Watt Combo's effects loop — it's not there to compete with Blackstar HT20 Mk. II 20 Watt Combo's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Blackstar HT Club 40 MKII's high gain voice out front: MXR Analog Delay goes in Blackstar HT Club 40 MKII's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay in Blackstar ST. James 100 Head's effects loop, clear of Blackstar ST. James 100 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

MXR Analog Delay's warm voice goes in Traynor YGL1's effects loop — it's not there to compete with Traynor YGL1's own crunchy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay in Blackstar St. James 50 6L6 Head's effects loop, clear of Blackstar St. James 50 6L6 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep PRS Sonzera's crunchy voice out front: MXR Analog Delay goes in PRS Sonzera's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in Marshall Studio SLP's effects loop, clear of Marshall Studio SLP's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay in Amplified Nation Wonderland Overdrive 50W's effects loop, clear of Amplified Nation Wonderland Overdrive 50W's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in Crate FlexWave 65/112 3-Channel 65-Watt 1x12"'s effects loop, clear of Crate FlexWave 65/112 3-Channel 65-Watt 1x12"'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay in Orange Micro Terror's effects loop, clear of Orange Micro Terror's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in Mesa Boogie F-100 2x12 Combo's effects loop, clear of Mesa Boogie F-100 2x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Marshall Origin 20 Head's crunchy voice out front: MXR Analog Delay goes in Marshall Origin 20 Head's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Koch ST20/H's crunchy voice out front: MXR Analog Delay goes in Koch ST20/H's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in Blackstar Debut 530E's effects loop, clear of Blackstar Debut 530E's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in Park P50RH's effects loop, clear of Park P50RH's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay in Park P50M's effects loop, clear of Park P50M's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay in Fender Super Champ X4's effects loop, clear of Fender Super Champ X4's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay in Blackstar 1RH MK 3's effects loop, clear of Blackstar 1RH MK 3's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss Nex-Stage's dynamic voice out front: MXR Analog Delay goes in Boss Nex-Stage's effects loop so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes in Amplified Nation Ampliphonix and Gain's effects loop — it's not there to compete with Amplified Nation Ampliphonix and Gain's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in Supro Montauk's effects loop, clear of Supro Montauk's own gain stage

Comes earlier in the signal chain