Pedals that stack with the MXR Analog Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay after J. Rockett Blue Note Select in the signal chain, clear of J. Rockett Blue Note Select's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Joyo Maximum Overdrive's tight voice out front: MXR Analog Delay goes after Joyo Maximum Overdrive in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay after Outlaw Effects RockerBox in the signal chain, where it won't crowd Outlaw Effects RockerBox

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes after Greer Amps Sonic Boom in the signal chain — it's not there to compete with Greer Amps Sonic Boom's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay after Mooer 020 Blueno Micro Preamp in the signal chain, clear of Mooer 020 Blueno Micro Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay after Universal Audio Uafx Lion '68 Super Lead Amp in the signal chain, clear of Universal Audio Uafx Lion '68 Super Lead Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay after Tech 21 Double Drive 3X Programmable in the signal chain, clear of Tech 21 Double Drive 3X Programmable's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay after Mesa Boogie Dynaplex Crunch in the signal chain, clear of Mesa Boogie Dynaplex Crunch's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay after Beetronics WhoctaHell Low Octave Fuzz in the signal chain, clear of Beetronics WhoctaHell Low Octave Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay after Boffin FX Vibratron in the signal chain, where it won't crowd Boffin FX Vibratron

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay after SolidGoldFX Commodore in the signal chain, clear of SolidGoldFX Commodore's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay after Mooer Solo in the signal chain, clear of Mooer Solo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes after Electro-Harmonix Pico Pitch Fork in the signal chain — it's not there to compete with Electro-Harmonix Pico Pitch Fork's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes after Greer Tomo-Hawk in the signal chain — it's not there to compete with Greer Tomo-Hawk's own dynamic character

Comes earlier in the signal chain