Pedals that stack with the MXR Analog Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes after MXR Super Badass Distortion in the signal chain — it's not there to compete with MXR Super Badass Distortion's own crunchy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay after Universal Audio knuckles in the signal chain, clear of Universal Audio knuckles's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay after Caline CP-14 English Man Distortion in the signal chain, clear of Caline CP-14 English Man Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tone City Model B Distortion TC-T31's crunchy voice out front: MXR Analog Delay goes after Tone City Model B Distortion TC-T31 in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes after Death By Audio Fuzz War in the signal chain — it's not there to compete with Death By Audio Fuzz War's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay after Revv Amplification G4-V2 in the signal chain, clear of Revv Amplification G4-V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay after Dunlop MXR Dookie Drive 30th Anniversary DD30 in the signal chain, clear of Dunlop MXR Dookie Drive 30th Anniversary DD30's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay after Dunlop MXR Dookie Drive 30th Anniversary DD30 in the signal chain, clear of Dunlop MXR Dookie Drive 30th Anniversary DD30's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay after TC Electronic Dual Wreck Preamp in the signal chain, clear of TC Electronic Dual Wreck Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes after Mooer Micro Preamp 004 Day Tripper in the signal chain — it's not there to compete with Mooer Micro Preamp 004 Day Tripper's own glassy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Suhr Riot Mini Black Edition's aggressive voice out front: MXR Analog Delay goes after Suhr Riot Mini Black Edition in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay after Behringer HM300 in the signal chain, clear of Behringer HM300's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Put MXR Analog Delay after Universal Audio Knuckles '92 Dual Rec Amplifier in the signal chain, clear of Universal Audio Knuckles '92 Dual Rec Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay after EVH Modern High Gain in the signal chain, clear of EVH Modern High Gain's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Eyemaster's tight voice out front: MXR Analog Delay goes after TC Electronic Eyemaster in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep MXR Analog Delay after SONICAKE Shark High Gain Classic British Crunch in the signal chain, clear of SONICAKE Shark High Gain Classic British Crunch's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Run MXR Analog Delay after Caline CP-15 in the signal chain, clear of Caline CP-15's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep MXR Analog Delay after Mooer Micro PreAmp 007 (ToneKing Falcon) in the signal chain, clear of Mooer Micro PreAmp 007 (ToneKing Falcon)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Mooer Preamp Live's pristine voice out front: MXR Analog Delay goes after Mooer Preamp Live in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay after Amptweaker Tight Rock 2 in the signal chain, clear of Amptweaker Tight Rock 2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep MXR Analog Delay after SONICAKE Shark in the signal chain, clear of SONICAKE Shark's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Put MXR Analog Delay after Mooer 015 Brown Sound Micro Preamp in the signal chain, clear of Mooer 015 Brown Sound Micro Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay after Boss MT-2w in the signal chain, clear of Boss MT-2w's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay after Boss MT-2w in the signal chain, clear of Boss MT-2w's own gain stage

Comes earlier in the signal chain