Pedals that stack with the MXR Analog Delay

Ibanez Tube Screamer

Analog Delay's dry, warm slapback isn't a gain stage — it trails the Tube Screamer's own blues boost with echo instead of more drive.

Klon Centaur

Analog Delay's dry, warm slapback trails the Klon's midrange breakup at the end of the chain rather than adding gain.

Boss CE-1 Chorus Ensemble

Run the CE-1's lush, rich stereo chorus after the Analog Delay's warm, slapback echo and the modulation colors the repeats directly.

Walrus Audio Lillian

Put the Lillian's subtle analog phase ahead of the Analog Delay so the sweep rides the repeats instead of chasing them.

Canvas Analog Devices The Raven Distortion

Keep Canvas Analog Devices The Raven Distortion's mid-forward voice out front: MXR Analog Delay goes after Canvas Analog Devices The Raven Distortion in the signal chain so its ambient voice doesn't muddy it

Alexander Pedals Hot Pink Drive

Keep the Analog Delay's warm slapback trailing after the Hot Pink Drive's glassy, British-voiced gain, not before, or the delay just repeats an unshaped signal.

Diezel Zerrer 2-Channel Preamp

Keep MXR Analog Delay after Diezel Zerrer 2-Channel Preamp in the signal chain, clear of Diezel Zerrer 2-Channel Preamp's own gain stage

Mooer 002 UK Golden 900

Keep MXR Analog Delay after Mooer 002 UK Golden 900 in the signal chain, clear of Mooer 002 UK Golden 900's own gain stage

JHS Pedals Hard Drive Distortion

MXR Analog Delay's ambient voice goes after JHS Pedals Hard Drive Distortion in the signal chain — it's not there to compete with JHS Pedals Hard Drive Distortion's own high gain character

Behringer UM300 Heavy Metal Distortion

Put MXR Analog Delay after Behringer UM300 Heavy Metal Distortion in the signal chain, clear of Behringer UM300 Heavy Metal Distortion's own gain stage

Tone City TC-T38 Metal Storm classic British-style high

MXR Analog Delay's ambient voice goes after Tone City TC-T38 Metal Storm classic British-style high in the signal chain — it's not there to compete with Tone City TC-T38 Metal Storm classic British-style high's own high gain character

Caline CP-15

Run MXR Analog Delay after Caline CP-15 in the signal chain, clear of Caline CP-15's own gain stage

Fender Hammertone Metal

Put MXR Analog Delay after Fender Hammertone Metal in the signal chain, clear of Fender Hammertone Metal's own gain stage

Caroline Guitar Company , Aaron Graves Overdrive

Keep MXR Analog Delay after Caroline Guitar Company , Aaron Graves Overdrive in the signal chain, clear of Caroline Guitar Company , Aaron Graves Overdrive's own gain stage

Silktone Germanium Fuzz

Keep Silktone Germanium Fuzz's germanium voice out front: MXR Analog Delay goes after Silktone Germanium Fuzz in the signal chain so its ambient voice doesn't muddy it

JHS Pedals JHS Kilt V10

Run MXR Analog Delay after JHS Pedals JHS Kilt V10 in the signal chain, clear of JHS Pedals JHS Kilt V10's own gain stage

Universal Audio Uafx Lion '68 Super Lead Amp

Run MXR Analog Delay after Universal Audio Uafx Lion '68 Super Lead Amp in the signal chain, clear of Universal Audio Uafx Lion '68 Super Lead Amp's own gain stage

Line 6 Crunchtone

Run MXR Analog Delay after Line 6 Crunchtone in the signal chain, clear of Line 6 Crunchtone's own gain stage

Mooer 020 Blueno Micro Preamp

Keep MXR Analog Delay after Mooer 020 Blueno Micro Preamp in the signal chain, clear of Mooer 020 Blueno Micro Preamp's own gain stage

SolidGoldFX Commodore

Put MXR Analog Delay after SolidGoldFX Commodore in the signal chain, clear of SolidGoldFX Commodore's own gain stage

DSM & Humboldt Electronics Simplifier

Put MXR Analog Delay after DSM & Humboldt Electronics Simplifier in the signal chain, clear of DSM & Humboldt Electronics Simplifier's own gain stage

Mooer Preamp Live

Keep Mooer Preamp Live's pristine voice out front: MXR Analog Delay goes after Mooer Preamp Live in the signal chain so its ambient voice doesn't muddy it

Universal Audio Knuckles '92 Dual Rec Amplifier

Put MXR Analog Delay after Universal Audio Knuckles '92 Dual Rec Amplifier in the signal chain, clear of Universal Audio Knuckles '92 Dual Rec Amplifier's own gain stage

JHS Fumble

Keep MXR Analog Delay after JHS Fumble in the signal chain, clear of JHS Fumble's own gain stage