Pedals that stack with the MXR M169 Carbon Copy Analog Delay

Dr. Scientist Frazz Dazzler's own fuzzy character is the real reason this is worth trying

Comes earlier in the signal chain

EarthQuaker Devices Hizumitas's own fuzzy character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Monument CS after MXR M169 Carbon Copy Analog Delay in the signal chain, where it won't crowd MXR M169 Carbon Copy Analog Delay

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss BF-2 Flanger after MXR M169 Carbon Copy Analog Delay in the signal chain, where it won't crowd MXR M169 Carbon Copy Analog Delay

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M169 Carbon Copy Analog Delay's analog warmth voice goes after MXR MC-402 in the signal chain — it's not there to compete with MXR MC-402's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M169 Carbon Copy Analog Delay after Catalinbread Callisto Mk. II in the signal chain, where it won't crowd Catalinbread Callisto Mk. II

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR M169 Carbon Copy Analog Delay after Empress Germ Drive in the signal chain, clear of Empress Germ Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M169 Carbon Copy Analog Delay's analog warmth voice goes after Jackson Audio Asabi Mateus Asato Signature Overdrive/Distortion in the signal chain — it's not there to compete with Jackson Audio Asabi Mateus Asato Signature Overdrive/Distortion's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M169 Carbon Copy Analog Delay after Mr. Black JDS-50 Drive in the signal chain, clear of Mr. Black JDS-50 Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR M169 Carbon Copy Analog Delay after Beetronics Whoctahell V2 Low Octave Beeast in the signal chain, where it won't crowd Beetronics Whoctahell V2 Low Octave Beeast

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep One Control Honey Bee Overdrive's transparent voice out front: MXR M169 Carbon Copy Analog Delay goes after One Control Honey Bee Overdrive in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Crazy Tube Circuits Venus's compressed voice out front: MXR M169 Carbon Copy Analog Delay goes after Crazy Tube Circuits Venus in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR M169 Carbon Copy Analog Delay after PRS Horsemeat in the signal chain, clear of PRS Horsemeat's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M169 Carbon Copy Analog Delay after JHS Pedals JHS Lari Basilio signature overdrive from JHS Pedals in the signal chain, clear of JHS Pedals JHS Lari Basilio signature overdrive from JHS Pedals's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Howitzer's saturated voice out front: MXR M169 Carbon Copy Analog Delay goes after Electro-Harmonix Howitzer in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Lovepedal Amp 50's warm voice out front: MXR M169 Carbon Copy Analog Delay goes after Lovepedal Amp 50 in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Lovepedal ProValve 2's transparent voice out front: MXR M169 Carbon Copy Analog Delay goes after Lovepedal ProValve 2 in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR M169 Carbon Copy Analog Delay after Behringer VT999 Vintage Tube Monster in the signal chain, clear of Behringer VT999 Vintage Tube Monster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR M169 Carbon Copy Analog Delay's analog warmth voice goes after One Control Baby Blue Overdrive in the signal chain — it's not there to compete with One Control Baby Blue Overdrive's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M169 Carbon Copy Analog Delay after DOD 250 Overdrive Preamp in the signal chain, clear of DOD 250 Overdrive Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M169 Carbon Copy Analog Delay after DOD 250 Overdrive Preamp in the signal chain, clear of DOD 250 Overdrive Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR M169 Carbon Copy Analog Delay after Crazy Tube Circuits Crossfire Overdrive Combo in the signal chain, clear of Crazy Tube Circuits Crossfire Overdrive Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M169 Carbon Copy Analog Delay after Catalinbread Silverkiss in the signal chain, clear of Catalinbread Silverkiss's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR M169 Carbon Copy Analog Delay after Spaceman Effects Atlas IV in the signal chain, clear of Spaceman Effects Atlas IV's own gain stage

Comes earlier in the signal chain