Pedals that stack with the MXR Dyna Comp Mini

Fjord Fuzz Odin layers fuzzy onto an already mid-forward signal

Comes earlier in the signal chain

Run mid-forward into EarthQuaker Devices Dirt Transmitter for more fuzzy on top

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Dyna Comp Mini after Electro-Harmonix Op-Amp Big Muff in the signal chain, clear of Electro-Harmonix Op-Amp Big Muff's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Way Huge Swollen Pickle's fuzzy voice out front: MXR Dyna Comp Mini goes after Way Huge Swollen Pickle in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Dyna Comp Mini's mid-forward voice goes after Behringer UM300 Heavy Metal Distortion in the signal chain — it's not there to compete with Behringer UM300 Heavy Metal Distortion's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Dyna Comp Mini's mid-forward voice goes after Catalinbread RAH Mountain Edition in the signal chain — it's not there to compete with Catalinbread RAH Mountain Edition's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Dyna Comp Mini after Suhr Riot Mini Black Edition in the signal chain, clear of Suhr Riot Mini Black Edition's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Dyna Comp Mini's mid-forward voice goes after Joyo Maximum Overdrive in the signal chain — it's not there to compete with Joyo Maximum Overdrive's own tight character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep J. Rockett Melody Overdrive/EQ's crunchy voice out front: MXR Dyna Comp Mini goes after J. Rockett Melody Overdrive/EQ in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Dyna Comp Mini's mid-forward voice goes after Great Eastern FX Co. Small Speaker Overdrive in the signal chain — it's not there to compete with Great Eastern FX Co. Small Speaker Overdrive's own crunchy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Dyna Comp Mini after Mooer 015 Brown Sound Micro Preamp in the signal chain, clear of Mooer 015 Brown Sound Micro Preamp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Dyna Comp Mini after MXR CSP033 Il Torino Overdrive in the signal chain, clear of MXR CSP033 Il Torino Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Dyna Comp Mini after SONICAKE Shark in the signal chain, clear of SONICAKE Shark's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Dyna Comp Mini after Mesa Boogie Dynaplex Crunch in the signal chain, clear of Mesa Boogie Dynaplex Crunch's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Dyna Comp Mini after One Control BJF Designed Plexifier Distortion in the signal chain, clear of One Control BJF Designed Plexifier Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Dyna Comp Mini's mid-forward voice goes after SolidGoldFX Commodore in the signal chain — it's not there to compete with SolidGoldFX Commodore's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Plexi-Drive Mini's harmonically rich voice out front: MXR Dyna Comp Mini goes after Wampler Plexi-Drive Mini in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

Put Roland SDE-3000D after MXR Dyna Comp Mini in the signal chain, where it won't crowd MXR Dyna Comp Mini — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Boss DM-2 Delay's analog warmth voice goes after MXR Dyna Comp Mini in the signal chain — it's not there to compete with MXR Dyna Comp Mini's own mid-forward character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain