Amps that pair well with the MXR Dyna Comp
← everything about the MXR Dyna Comp
All 52 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Milkman Sound Pint 10W
Milkman Sound
19% matchThe Pint's transformer-driven breakup responds a lot more evenly once the Dyna Comp is squashing the attack ahead of it.
Ampeg Rocket Bass RB-115 Combo Bass Amp
Ampeg
19% matchThe Dyna Comp evens out pick attack before the Rocket Bass's own preamp warmth, keeping funk and soul lines consistent.
Port City Pearl 50
Port City
19% matchPut the Dyna Comp in front of the Pearl 50 and the attack stays smooth instead of spiking into its rich, dynamic clean voice.
Divided by 13 JRT 9/15
Divided By 13
19% matchThe Dyna Comp's squash evens pick dynamics before the JRT's own boutique, tremolo-equipped breakup.
Omega Darkglass AO900 Alpha 900 Bass Head
Omega
19% matchAhead of the AO900's modern, saturated bass headroom, the Dyna Comp evens out low-end dynamics before the amp's own drive circuit takes over.
Vox MV50-CE Rock
Vox
19% matchAhead of the MV50, the Dyna Comp keeps a tight, consistent attack for direct-recording crunch takes.
Marshall Origin 50 Head
Marshall
19% matchEven a driven, gigging-ready head like the Origin 50 benefits from the Dyna Comp smoothing the attack out first.
Park P75H
Park
19% matchRun the Dyna Comp ahead of the P75H and the attack stays even instead of lurching into the amp's British midrange gain.
Milkman Sound Creamer 20W Combo
Milkman Sound
19% matchThe Dyna Comp evens out pick attack before it hits the Creamer's breakup, so the amp's dynamics respond consistently.
Traynor SB112
Traynor
19% matchThe SB112's gigging headroom is a lot more forgiving once the Dyna Comp is smoothing out the attack ahead of it.
Two-Rock Silver Sterling Signature 150/75W
Two-Rock
18% matchThe Dyna Comp evens out dynamics before the Silver Sterling's own tube-driven headroom and harmonic touch take over.
Revv Generator 100R MkIII 3-Channel Head
Revv
18% matchThe 100R's liquid, thick rhythm distortion responds more predictably with the Dyna Comp's squash running ahead of it.
Laney RB3 Richter Bass Amp
Laney
18% matchThe Dyna Comp's squash evens pick dynamics before the Richter's own rehearsal-oriented bass EQ.
Vox AC-50
amplifier
18% matchAhead of the AC-50's rich, punchy British breakup, the Dyna Comp evens out pick dynamics before the amp's own tube compression takes over.
Cornell Romany 10 Tweed 10 watt Tube
Cornell
17% matchRun the Dyna Comp ahead of the Romany to even out picking dynamics before that tweed circuit adds its own natural compression.
Traynor YCV40 Custom Valve Combo
Traynor
17% matchRun the Dyna Comp before the YCV40 and the attack stays consistent instead of pushing that spring-reverbed breakup around.
Dumble Overdrive Special Amp Head
Dumble
16% matchThe Dyna Comp's squash levels pick dynamics before they reach the Dumble's already touch-sensitive front end.
Traynor SB106
Traynor
16% matchAhead of the SB106, the Dyna Comp's squash keeps a bass signal consistent for direct-recording takes.
Amplified Nation Dirty Wonderland
Amplified Nation
16% matchAhead of the Dirty Wonderland, the Dyna Comp's squash keeps the attack consistent before it ever hits that spacious, dirty breakup.
Blackstar HTV-212 Bronco TAN
Blackstar
16% matchRun the Dyna Comp's simple, sensitive compression ahead of the Bronco and your transients stay even before the amp's tight midrange takes over.
Revv Generator 100P MkIII 3-Channel Head
Revv
15% matchRun the Dyna Comp before the 100P and the compression keeps clarity intact even as the gain climbs.
Blackstar Unity 250
Blackstar
15% matchThe Dyna Comp's classic squash evens out pick attack before the Unity 250's grit and punch take over.
Matchless DC-30
Matchless
14% matchThe Dyna Comp evens out pick attack before the DC-30's own dynamic breakup, so the amp's chime stays even note to note.
Two-Rock Vintage Deluxe 6L6 35W Head
Two-Rock
13% matchSqueeze first with the Dyna Comp and the Vintage Deluxe's own glassy, sag-heavy breakup responds to a more even signal.