Amps that pair well with the MXR Dyna Comp
← everything about the MXR Dyna Comp
All 80 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Park P45H
Park
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp's own bright character is the real reason this is worth trying
Comes later in the signal chain
Mesa Boogie Mark Five:90 1x12 Combo
Mesa Boogie
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Quilter Tone Block 202 200W Head
Quilter
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The Tone Block's responsive, valve-like clean platform is easier to control once the Dyna Comp's squash runs ahead of it.
Comes later in the signal chain
Hartke LH1000 Bass Head
Hartke
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What MXR Dyna Comp brings here leans toward bright — that's worth building a pairing around
Comes later in the signal chain
Marshall Studio Vintage SV20C MkII 20W 1x10 Combo
Marshall
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
REVV Generator G50 3-Channel 50-Watt
Revv
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Fuchs Blackjack 21 MKII
Fuchs
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Swart Star-Base 1
Swart
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp's own bright character is the real reason this is worth trying
Comes later in the signal chain
Marshall Origin 50 Head
Marshall
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Even a driven, gigging-ready head like the Origin 50 benefits from the Dyna Comp smoothing the attack out first.
Comes later in the signal chain
Milkman Sound Half Pint 5W 1x12 Combo
Milkman Sound
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Laney GH100L
Laney
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What MXR Dyna Comp brings here leans toward bright — that's worth building a pairing around
Comes later in the signal chain
DV Mark Raw Dawg EG
Dv Mark
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Phil Jones Bass Compact Plus BG-450
Phil Jones
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
The BG-450's clear, articulate headroom is a lot easier to control once the Dyna Comp's squash is running ahead of it.
Comes later in the signal chain
Bad Cat Cub
Bad Cat
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The Dyna Comp's squash evens pick dynamics before the Bad Cat Cub's chiming, dynamic clean breakup.
Comes later in the signal chain
Orange Rockerverb 50 MkIII 2-Channel 50W Head
Orange
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Magnatone Super Fifteen 15W 1x12 Combo
Magnatone
18% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp's own bright character is the real reason this is worth trying
Comes later in the signal chain
Carr Viceroy Combo 2x12" Black
Carr
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Run the Dyna Comp ahead of the Viceroy to even out attack and add sustain before the amp's own dynamic breakup kicks in.
Comes later in the signal chain
Magnatone Twilighter Stereo 22W Head
Magnatone
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
What MXR Dyna Comp brings here leans toward bright — that's worth building a pairing around
Comes later in the signal chain
Traynor YBA100 Tube Bass Head
Traynor
18% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
The Dyna Comp's classic sustain and compression suit the YBA100's tube bass headroom, tightening dynamics before the amp's own gain response kicks in.
Comes later in the signal chain
Traynor SB112
Traynor
18% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
The SB112's gigging headroom is a lot more forgiving once the Dyna Comp is smoothing out the attack ahead of it.
Comes later in the signal chain
Laney LX65R
Laney
18% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Ahead of the LX65R, the Dyna Comp's squash keeps the pick attack from overdriving the amp's gigging-ready gain unevenly.
Comes later in the signal chain
Peavey Bandit 112
Peavey
18% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Orange Matamp
Orange
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
What MXR Dyna Comp brings here leans toward bright — that's worth building a pairing around
Comes later in the signal chain
Two-Rock Classic Reverb 100W Head
Two-Rock
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain