Pedals that stack with the MXR Dyna Comp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

The Dyna Comp's sustain and squash feed the Green Russian's Muff fuzz a steadier, more even signal to saturate.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Dyna Comp's squash evens pick dynamics before the Hoof's own hybrid Muff/germanium crunch stage.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Dyna Comp's squash evens pick dynamics before the SFT's own thick, compressed British drive stage.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Dyna Comp's sensitive attack ahead of Red Muck evens out dynamics before the pedal's own scooped, sustaining fuzz.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Dyna Comp's squash evens pick dynamics before the Micro Amp's simple, transparent boost stage.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

ZVEX Fuzz Factory's smooth balances out the bright tone

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Dyna Comp's squash evens out pick attack before it hits the Klon, feeding the boost a steadier, more sustained signal.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

MXR Dyna Comp's own bright character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp's squash evens pick dynamics before they reach the Overhive's transparent gain stage.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Dyna Comp's added sustain gives the Fable's granular reverb textures a longer, steadier signal to stretch and blur. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Hot Wax's own transparent, coloring drive.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Dyna Comp's sensitive attack ahead of the Optimist evens out dynamics before the pedal's own vintage, jfet-driven compression.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

MXR Dyna Comp's own bright character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Dyna Comp's even sustain sits ahead of the Octava's shoegaze octave fuzz, giving the tracking circuit a more consistent signal to work from.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

MXR Dyna Comp's own bright character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp's squash evens pick dynamics before the Blues Driver's own solid, bluesy overdrive.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Ahead of the Crunch Drive, the Dyna Comp's squash keeps the attack consistent before that British valve crunch ever colors it.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp's squash evens pick dynamics before the Buzzter's transparent boost stage.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Ahead of the Atlas III's harmonically rich boutique boost, the Dyna Comp evens out pick attack before the preamp-style gain stage takes over.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Ahead of the HT-Boost, the Dyna Comp's squash keeps the attack consistent before that natural, valve-driven saturation ever colors it.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Squeeze first with the Dyna Comp and the Voyager's transparent, musical overdrive responds to a more even signal.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Squeeze first with the Dyna Comp and the DELUXE61's amp-style tremolo and breakup track a more even signal.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Ahead of the EP-3, the Dyna Comp's squash keeps the attack consistent before that clean boost ever colors it.

Comes later in the signal chain