Pedals that stack with the MXR Dyna Comp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

The Dyna Comp's squash evens the signal before it reaches the Super Fuzz's raw, scooped octave-fuzz stage.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What MXR Dyna Comp brings here leans toward bright — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp's squash evens pick dynamics before the Formula 5F6's own natural, harmonic tweed drive.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Suhr Discovery after MXR Dyna Comp in the signal chain, where it won't crowd MXR Dyna Comp — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Run the Dyna Comp before the Stonk BOX to even out attack before that raw germanium fuzz clips it.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Compression before boost — the Dyna Comp keeps the BB Preamp's creamy treble crunch from getting spiky under a hard pick attack.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp feeds the transparent, buffered LD-1 an even, consistent signal before its own boutique drive kicks in.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Dyna Comp's sensitive attack ahead of the Super AT Mod evens out dynamics before the pedal's own asymmetrical clipping.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the ODL-1A's own glassy, Dumble-voiced drive.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Dyna Comp's squash evens pick dynamics before the Speaker Cranker's own subtle, transparent boost stage.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Dyna Comp's sensitive compression ahead of the LPB-1 evens out dynamics before the boost's own transparent gain hits.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp evens out pick attack before the Eternity's transparent overdrive takes over.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Dyna Comp's sensitive attack ahead of the Majestic evens out dynamics before the pedal's own premium, transparent drive.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Black Eye's own simple, reliable clean boost.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp evens out pick dynamics before the RevivalDrive's tube-like, clean-platform response takes over.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Ahead of the SSB's transparent clean boost, the Dyna Comp's sustain evens out picking dynamics before the boost adds its own clean push.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp's sustain-focused compression evens things out before the Super Hard On's clean JFET boost adds level on top.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Ahead of the DLS Mk2, the Dyna Comp's squash keeps the attack consistent before that dynamic, British dirty gain ever colors it.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Distortion+'s own warm, compressed clipping.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Plumes' own buffered, low-gain clipping.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Ahead of the ODB-3, the Dyna Comp's squash keeps the attack consistent before that harmonic bass distortion ever colors it.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Dyna Comp evens out attack before the Gritador's asymmetrical clipping, keeping the vocal midrange consistent pick to pick.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Dyna Comp evens out pick attack before it hits the Guv'nor, so the crunch stays consistent note to note.

Comes later in the signal chain

Compression before drive — the Dyna Comp keeps the Dumbloid's smooth, articulate breakup from getting spiky under a hard attack.

Comes later in the signal chain