Pedals that stack with the MXR Dyna Comp

Origin Effects DELUXE61 Amp Tremolo & Drive

Squeeze first with the Dyna Comp and the DELUXE61's amp-style tremolo and breakup track a more even signal.

Jackson Audio Golden Boy

The Dyna Comp's funky sustain and sensitivity set up a consistent attack before the Golden Boy's transparent drive takes over.

Lovepedal Purple Plexi

The Dyna Comp's even sustain feeds the Purple Plexi's natural breakup a consistent signal to work with.

Electro-Harmonix Crayon

The Dyna Comp's squash evens pick dynamics before the Crayon's own transparent, treble-forward drive stage.

Analog Man King of Tone

The Dyna Comp's squash evens pick dynamics before the King of Tone's own transparent, clean-boosted drive.

Z.Vex Super Hard On

The Dyna Comp's sustain-focused compression evens things out before the Super Hard On's clean JFET boost adds level on top.

Klon KTR

The Dyna Comp evens out pick attack before the KTR's midrange boost and breakup take over.

Origin Effects RevivalDrive Compact

The Dyna Comp evens out pick dynamics before the RevivalDrive's tube-like, clean-platform response takes over.

Greer Mizuki blue

Dyna Comp's fast, sensitive attack evens out picking dynamics before they hit the Mizuki Blue's warm overdrive.

Beetronics Fatbee JFET Overdrive

Ahead of the Fatbee, the Dyna Comp's squash keeps the pick attack even before that meaty JFET crunch ever gets a hold of it.

Univox Super-Fuzz

The Dyna Comp's squash evens the signal before it reaches the Super Fuzz's raw, scooped octave-fuzz stage.

Mad Professor Simble Overdrive MK2

The Dyna Comp evens out pick attack before the Simble's warm, singing breakup takes over.

Dawner Prince Boonar

The Dyna Comp's added sustain feeds the Boonar's Echorec-style repeats a longer, more even signal to echo. — goes in the amp's FX loop (or last, into a clean amp)

EarthQuaker Devices Plumes Signal Shredder

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Plumes' own buffered, low-gain clipping.

Catalinbread Formula 5F6

The Dyna Comp's squash evens pick dynamics before the Formula 5F6's own natural, harmonic tweed drive.

MXR Double Down

The Dyna Comp's sustain-heavy compression ahead of the Double Down gives the clean boost a more even, front-loaded signal to push.

JHS Pedals JHS AT+

Dyna Comp's sensitive attack ahead of the AT+ evens out dynamics before the pedal's own transparent, expressive overdrive.

Xotic BB Preamp

Compression before boost — the Dyna Comp keeps the BB Preamp's creamy treble crunch from getting spiky under a hard pick attack.

Dunlop MXR Distortion Plus

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Distortion+'s own warm, compressed clipping.

Mr. Black Bloodmoon

Put the Bloodmoon after the Dyna Comp — the compressor's sustain stays even and the reverb just tails off into that dark, doomy wash. — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix "Ram's Head" Big Muff Pi V2

Run the Dyna Comp ahead of the Ram's Head to even out picking dynamics before that fuzz's thick, edgy clipping takes over.

EarthQuaker Devices Dirt Transmitter V2

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Dirt Transmitter V2's own warm, hybrid grind.

Catalinbread Dirty Little Secret MKI

Ahead of the DLS MKI, the Dyna Comp's squash keeps the attack consistent before that dynamic, bluesy lead crunch ever colors it.

Walrus Audio Voyager Mk II

The Dyna Comp's funky sustain feeds the Voyager Mk II's midrange-forward clipping a consistent signal to bite into.