Pedals that stack with the MXR Dyna Comp

Boss VB-2W

Ahead of the VB-2W, the Dyna Comp's squash keeps the attack consistent before that liquid pitch-vibrato ever colors it.

Browne Amplification Gritador

The Dyna Comp evens out attack before the Gritador's asymmetrical clipping, keeping the vocal midrange consistent pick to pick.

Keeley Aria

Stack the Dyna Comp ahead of the Aria and its own optical compression gets an extra layer of sustain to build on.

Walrus Audio EB-10

The Dyna Comp's squash evens pick dynamics before the EB-10's boutique preamp boost stage.

Marshall Guv'nor

The Dyna Comp evens out pick attack before it hits the Guv'nor, so the crunch stays consistent note to note.

Shin's Music Dumbloid

Compression before drive — the Dyna Comp keeps the Dumbloid's smooth, articulate breakup from getting spiky under a hard attack.

Fender Blender

The Dyna Comp's squash evens the signal before it reaches the Blender's dry, psychedelic octave fuzz stage.

Benson Amps Stonk BOX

Run the Dyna Comp before the Stonk BOX to even out attack before that raw germanium fuzz clips it.

Walrus Audio Eras

The Eras' heavy metal distortion is a lot easier to tame once the Dyna Comp's squash runs ahead of it.

MXR M103 Blue Box

Ahead of the Blue Box's glitchy octave fuzz, the Dyna Comp evens out pick attack before the octave-tracking circuit gets a chance to react unevenly.

Keeley Super AT Mod (Andy Timmons Full-Range Overdrive)

Dyna Comp's sensitive attack ahead of the Super AT Mod evens out dynamics before the pedal's own asymmetrical clipping.

Amptweaker Big Rock Pro

Compression before distortion — the Dyna Comp keeps the Big Rock Pro's fat, modern gain from getting spiky under a hard attack.

Aguilar Octamizer (Bass Octaver)

Ahead of the Octamizer, the Dyna Comp's squash keeps the pitch tracking clean instead of chasing an uneven attack.

Walrus Audio Iron Horse

The Dyna Comp's compression sits ahead of the Iron Horse's gritty, aggressive distortion, evening out attack before the clipping stage takes over.

JAM Pedals Octaurus

The Dyna Comp's even sustain feeds the Octaurus a consistent signal so its octave tracking stays accurate.

Cornerstone Colosseum

Ahead of the Colosseum, the Dyna Comp's squash keeps the attack consistent before that harmonic, versatile gain ever colors it.

Zevex Zvex Distortron

Compress ahead of the Distortron with the Dyna Comp and its thick, aggressive harmonics respond to a more even signal.

Voodoo Lab Proctavia

The Dyna Comp's even sustain sits ahead of the Proctavia's classic octave fuzz, giving the vintage tracking circuit a steadier signal to lock onto.

DOD 250 Overdrive Preamp 50th Anniversary

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the DOD 250's own touch-responsive JFET drive.

Hiwatt WEM Copicat Boost

Dyna Comp's sensitive attack ahead of the Copicat Boost evens out dynamics before the pedal's own clean boost stage.

Universal Audio OX Amp Top Box

MXR Dyna Comp leans toward sustaining, and that's a real, usable character to pair with

Wampler Sovereign Distortion

The Dyna Comp evens out pick attack before the Sovereign's rich, boutique metal gain takes over.

Wampler Pinnacle Standard V2

Compress ahead of the Pinnacle with the Dyna Comp and its boutique metal distortion responds to a tighter, more even signal.

Old Blood Noise Endeavors Excess

The Dyna Comp's funky sustain evens out the signal before the Excess's experimental modulation and distortion take over.