Amps that pair well with the MXR Flanger

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Super Bass is voiced as a pedal platform, and the Flanger's subtle analog sweep rides on top of that warmth instead of getting buried.

Comes later in the signal chain

PRS MT 15 V1 Mark Tremonti Signature 2-Channel 15W Head leans toward high gain, and that's a real, usable character to pair with

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Flanger after Polytone Mini Brute in the signal chain, clear of Polytone Mini Brute's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the MXR Flanger's subtle, warm sweep after the SVT's own tube attack settles, so the modulation moves a defined tone.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Flanger after Bad Cat Hot Cat 45-Watt in the signal chain, clear of Bad Cat Hot Cat 45-Watt's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Flanger after Bruno Cowtipper 45 in the signal chain, clear of Bruno Cowtipper 45's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Flanger after Fender Custom ML CuNiFe Wide-Range Humbucker Pre-Wired Stratocaster Pickguard in the signal chain, clear of Fender Custom ML CuNiFe Wide-Range Humbucker Pre-Wired Stratocaster Pickguard's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Flanger after Laney Klipp in the signal chain, clear of Laney Klipp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Flanger after Brunetti Singleman H 50/15/2W Head 230 in the signal chain, clear of Brunetti Singleman H 50/15/2W Head 230's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Flanger after Peavey MAX 250 250W 1x15 Bass Combo in the signal chain, clear of Peavey MAX 250 250W 1x15 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Flanger after Blackstar Unity Bass U60 in the signal chain, clear of Blackstar Unity Bass U60's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Flanger after Aguilar AG 500 V2 in the signal chain, clear of Aguilar AG 500 V2's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Flanger after Boss Katana Bass KTN-210B in the signal chain, clear of Boss Katana Bass KTN-210B's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Flanger after Brunetti Metropolitan Combo in the signal chain, clear of Brunetti Metropolitan Combo's own gain stage

Comes later in the signal chain