Amps that pair well with the MXR Phase 90

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Phase 90's classic sweep after the CEB-3's stereo bass chorus and the modulation compounds into a genuinely swirling signal.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Phase 90 after Cornell Romany 10 Tweed 10 watt Tube in the signal chain, clear of Cornell Romany 10 Tweed 10 watt Tube's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The YCV40's spring-reverbed, gigging-ready gain gives the Phase 90's sweep a lively signal to move through.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Add the Phase 90's organic sweep on top of the YBA300's own resonant, bright tube voice for classic-rock movement.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Add the Phase 90's organic sweep on top of the Cube Street's own full, busking-ready voicing for classic-rock movement.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The AC-50's rich, punchy tube clarity gives the Phase 90's organic sweep real definition to work with.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Phase 90 after the Creamer's own breakup so the sweep rides on the amp's harmonic content instead of a flat clean signal.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Laney Richter RB4 Bass Combo's full voice out front: MXR Phase 90 goes after Laney Richter RB4 Bass Combo in the signal chain so its analog warmth voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Phase 90 after Mesa Boogie Subway D-800 in the signal chain, clear of Mesa Boogie Subway D-800's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Phase 90 after Suhr SL68 MkII 100-Watt in the signal chain, clear of Suhr SL68 MkII 100-Watt's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Phase 90 after DV Mark Raw Dawg EG in the signal chain, clear of DV Mark Raw Dawg EG's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Phase 90's classic sweep after the Cub V's chimey British headroom and the modulation has real touch-sensitive dynamics to color.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Park P75H's full voice out front: MXR Phase 90 goes after Park P75H in the signal chain so its analog warmth voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Traynor SB112's high headroom voice out front: MXR Phase 90 goes after Traynor SB112 in the signal chain so its analog warmth voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Phase 90's psychedelic swirl rides on top of the FBT-700's punchy midrange without stacking any gain.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Laney LX65R's high headroom voice out front: MXR Phase 90 goes after Laney LX65R in the signal chain so its analog warmth voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Pint's clean, chimey pedal-platform headroom lets the Phase 90's swirl come through clearly instead of getting buried in amp breakup.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Phase 90's classic swirl colors the FBT 300's thick, growling tone after the gain stage rather than adding to it.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Phase 90's classic sweep adds movement after the Rambler's open midrange without fighting the amp's own voicing.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Phase 90's analog warmth voice goes after PRS DG Custom 30 David Grissom Signature 30W Head in the signal chain — it's not there to compete with PRS DG Custom 30 David Grissom Signature 30W Head's own dynamic character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Phase 90 after Two-Rock Vintage Deluxe 6L6 35W Head in the signal chain, clear of Two-Rock Vintage Deluxe 6L6 35W Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Phase 90 after Phil Jones Bass Compact 8 Cabinet in the signal chain, clear of Phil Jones Bass Compact 8 Cabinet's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Phase 90 after Ceriatone Overtone Special in the signal chain, clear of Ceriatone Overtone Special's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Magnatone 460's mid-forward voice out front: MXR Phase 90 goes after Magnatone 460 in the signal chain so its analog warmth voice doesn't muddy it

Comes later in the signal chain