Amps that pair well with the MXR ZW90 Wylde Phase

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Gallien-Krueger MB-212 II Bass Combo 500 watts in the signal chain, clear of Gallien-Krueger MB-212 II Bass Combo 500 watts's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Ceriatone Overtone Special HRM Bluesmaster 50 in the signal chain, clear of Ceriatone Overtone Special HRM Bluesmaster 50's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Phil Jones BG-75 Double Four Bass Combo in the signal chain, clear of Phil Jones BG-75 Double Four Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Phil Jones BG-80 Double Four Plus 90W Bass Combo in the signal chain, clear of Phil Jones BG-80 Double Four Plus 90W Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Phil Jones X4C NanoBass 35W 1x4 Combo in the signal chain, clear of Phil Jones X4C NanoBass 35W 1x4 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Blackstar #Bass U30 in the signal chain, clear of Blackstar #Bass U30's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Gallien-Krueger GK Legacy 2x10 Combo Bass Amp in the signal chain, clear of Gallien-Krueger GK Legacy 2x10 Combo Bass Amp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Blackstar 1RH MK 3 in the signal chain, clear of Blackstar 1RH MK 3's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Blackstar TV-10 BH in the signal chain, clear of Blackstar TV-10 BH's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Aguilar SL110 Fawn Limited in the signal chain, clear of Aguilar SL110 Fawn Limited's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Gallien-Krueger Legacy 212 in the signal chain, clear of Gallien-Krueger Legacy 212's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Ampeg BA 108 in the signal chain, clear of Ampeg BA 108's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Deacy Amp in the signal chain, clear of Deacy Amp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Supro 1697R Galaxy Head in the signal chain, clear of Supro 1697R Galaxy Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Gallien-Krueger MB210-II in the signal chain, clear of Gallien-Krueger MB210-II's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Supro Saturn Reverb 1964 Reissue in the signal chain, clear of Supro Saturn Reverb 1964 Reissue's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Gallien-Krueger Legacy 210 Bass Combo in the signal chain, clear of Gallien-Krueger Legacy 210 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Mesa Boogie Subway WD-800 Bass Head in the signal chain, clear of Mesa Boogie Subway WD-800 Bass Head's own gain stage

Comes later in the signal chain