Amps that pair well with the MXR ZW90 Wylde Phase

What Peavey VTM-120 brings here leans toward aggressive — that's worth building a pairing around

Comes later in the signal chain

What Fuchs FBT 300 brings here leans toward mid-forward — that's worth building a pairing around

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Blackstar Studio 10 KT88 Limited Edition in the signal chain, clear of Blackstar Studio 10 KT88 Limited Edition's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Boss AC-22LX Acoustic in the signal chain, clear of Boss AC-22LX Acoustic's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Bartel Swingland 3W 1x12 Combo in the signal chain, clear of Bartel Swingland 3W 1x12 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Gallien-Krueger Legacy 112 in the signal chain, clear of Gallien-Krueger Legacy 112's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Phil Jones BG-120 Bass Cub Pro 120W 2x5 Bass Combo in the signal chain, clear of Phil Jones BG-120 Bass Cub Pro 120W 2x5 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Gallien-Krueger MB 112 II Combo in the signal chain, clear of Gallien-Krueger MB 112 II Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Phil Jones BG-100 Bass Cub 2x5 100w Combo in the signal chain, clear of Phil Jones BG-100 Bass Cub 2x5 100w Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Phil Jones BP-800 Bass Pulse 800W Head in the signal chain, clear of Phil Jones BP-800 Bass Pulse 800W Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Traynor AM Studio in the signal chain, clear of Traynor AM Studio's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Gallien-Krueger Legacy 410 in the signal chain, clear of Gallien-Krueger Legacy 410's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Blackstar BASSU120 Unity 120-Watt Bass Amplifier in the signal chain, clear of Blackstar BASSU120 Unity 120-Watt Bass Amplifier's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Blackstar S1-50 in the signal chain, clear of Blackstar S1-50's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Ceriatone HRM 50 in the signal chain, clear of Ceriatone HRM 50's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Phil Jones BG-400 Suitcase Compact Bass Combo in the signal chain, clear of Phil Jones BG-400 Suitcase Compact Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Gallien-Krueger MB212-II in the signal chain, clear of Gallien-Krueger MB212-II's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Phil Jones BG-800 Roadcase 750W 12x5 Bass Combo in the signal chain, clear of Phil Jones BG-800 Roadcase 750W 12x5 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Phil Jones BG-450 Compact Plus 300W 4x5 Bass Combo in the signal chain, clear of Phil Jones BG-450 Compact Plus 300W 4x5 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Gallien-Krueger MB-210 II Bass combo 350 watts in the signal chain, clear of Gallien-Krueger MB-210 II Bass combo 350 watts's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR ZW90 Wylde Phase after Van Weelden Twinkleland 100W Head in the signal chain, clear of Van Weelden Twinkleland 100W Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Phil Jones BG-110 Bass Cub II 110W 2x5 Bass Combo in the signal chain, clear of Phil Jones BG-110 Bass Cub II 110W 2x5 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Gallien-Krueger GK Legacy 4x10 Bass Combo Amp in the signal chain, clear of Gallien-Krueger GK Legacy 4x10 Bass Combo Amp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after Phil Jones BE-17 Bass Engine 70W 1x7 Bass Combo in the signal chain, clear of Phil Jones BE-17 Bass Engine 70W 1x7 Bass Combo's own gain stage

Comes later in the signal chain