Orange Crush 35

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Colorsound Overdriver stacks fuzzy on top of the mid-forward already here

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Into Orange Crush 35, JHS Angry Charlie is right at home: it's built around Marshall-style amps

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Put EarthQuaker Devices White Light in front and the mid-forward tone leans further toward high gain

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Crush 35's gritty voice out front: Boss CE-1 Chorus Ensemble goes after Orange Crush 35 in the signal chain so its lush voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Orange Crush 35's own gritty character is the real reason this is worth trying

Goes in front of the amp

Walrus Audio Bellwether Stereo Analog Delay's analog warmth voice goes in Orange Crush 35's effects loop — it's not there to compete with Orange Crush 35's own gritty character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Keep Orange Crush 35's gritty voice out front: Empress Echosystem goes in Orange Crush 35's effects loop so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Goes in front of the amp

Tone City Golden Plexi V3 Mini Distortion's own voicing points at Marshall-style amps, and Orange Crush 35 delivers it