Pedals that stack with the Orange Crush 35
← everything about the Orange Crush 35
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Colorsound Overdriver
pedal
25% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Colorsound Overdriver stacks fuzzy on top of the mid-forward already here
Goes in front of the amp
JHS Angry Charlie
JHS Pedals
23% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Into Orange Crush 35, JHS Angry Charlie is right at home: it's built around Marshall-style amps
Goes in front of the amp
EarthQuaker Devices White Light
EarthQuaker Devices
22% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Put EarthQuaker Devices White Light in front and the mid-forward tone leans further toward high gain
Goes in front of the amp
Boss CE-1 Chorus Ensemble
pedal
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Orange Crush 35's gritty voice out front: Boss CE-1 Chorus Ensemble goes after Orange Crush 35 in the signal chain so its lush voice doesn't muddy it
Goes in front of the amp
Artec SE-NGT
Artec
6% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Orange Crush 35's own gritty character is the real reason this is worth trying
Goes in front of the amp
Walrus Audio Bellwether Stereo Analog Delay
Walrus Audio
6% matchWalrus Audio Bellwether Stereo Analog Delay's analog warmth voice goes in Orange Crush 35's effects loop — it's not there to compete with Orange Crush 35's own gritty character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Empress Echosystem
Empress
6% matchKeep Orange Crush 35's gritty voice out front: Empress Echosystem goes in Orange Crush 35's effects loop so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop