Pedals that stack with the Origin Effects BassRig Fifteen

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Source Audio Mercury Flanger after Origin Effects BassRig Fifteen in the signal chain, clear of Origin Effects BassRig Fifteen's own gain stage

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Origin Effects BassRig Fifteen leans toward bright, and that's a real, usable character to pair with

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Where this leans bright, ZVEX Fuzz Factory answers back smooth

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Catalinbread SFT answers back warm

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

T-Rex Junior Roomate's warm voice goes after Origin Effects BassRig Fifteen in the signal chain — it's not there to compete with Origin Effects BassRig Fifteen's own bright character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Origin Effects BassRig Fifteen in the signal chain — it's not there to compete with Origin Effects BassRig Fifteen's own bright character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain