Origin Effects DCX Boost

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Marshall Bluesbreaker leans glassy right where the dark tone needs it

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Into a low gain tone, Friedman Dirty Shirley brings a pull toward high gain that's missing

Comes later in the signal chain

Origin Effects DCX Boost pushes a edge of breakup tone toward low gain

Comes later in the signal chain

Into a high headroom tone, Origin Effects DCX Boost brings a pull toward low gain that's missing

Comes later in the signal chain

Into a high headroom tone, Origin Effects DCX Boost brings a pull toward low gain that's missing

Comes later in the signal chain

Run Origin Effects DCX Boost into that high headroom platform and it finally leans toward low gain

Comes later in the signal chain

Into a high headroom tone, Origin Effects DCX Boost brings a pull toward low gain that's missing

Comes later in the signal chain

Run Origin Effects DCX Boost into that high headroom platform and it finally leans toward low gain

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)

Feed a saturated signal into MXR Micro Amp and it comes out closer to clean boost

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

The CP-9Pro+'s transparent, low-noise compression evens things out before it ever reaches the DCX Boost's own subtle treble push.

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Colorsound Power Boost leans bright right where the dark tone needs it

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boost first with the DCX, then let the Latitude's tremolo pulse the already-saturated signal for more bite on each swell.

Comes later in the signal chain

DCX Boost's subtle, treble-forward eq boost stacks cleanly onto the Optimist's own natural, organic drive.

Comes later in the signal chain

The DCX's subtle treble boost pushes more signal into the Delay-Llama's analog repeats without changing their warm character. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Origin Effects DCX Boost's own low gain character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Origin Effects DCX Boost's bright balances out the warm tone

Comes later in the signal chain