Pedals that stack with the Outlaw Effects Wrangler

JHS Smiley leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

Greer Black Mountain's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Outlaw Effects Wrangler brings here leans toward compressed — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Outlaw Effects Wrangler leans toward compressed, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Outlaw Effects Wrangler brings here leans toward compressed — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Outlaw Effects Wrangler brings here leans toward compressed — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Outlaw Effects Wrangler's own compressed character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Outlaw Effects Wrangler brings here leans toward compressed — that's worth building a pairing around

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Outlaw Effects Wrangler in the signal chain, where it won't crowd Outlaw Effects Wrangler — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Outlaw Effects Wrangler in the signal chain — it's not there to compete with Outlaw Effects Wrangler's own compressed character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain