Pedals that stack with the Park P45H

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Stack the Carbon ahead of the P45H's creamy blues breakup and it just nudges the amp further into that same warm territory.

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Colorsound Overdriver takes that edge of breakup character and pushes it toward clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Analog Man King of Tone pushes a edge of breakup tone toward clean boost

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

MXR Dyna Comp's own bright character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Park P45H in the signal chain, clear of Park P45H's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Park P45H's edge of breakup voice out front: Dawner Prince Boonar goes in Park P45H's effects loop so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Catalinbread Epoch-Set in Park P45H's effects loop, clear of Park P45H's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop