Pedals that stack with the Peavey 5150 120-Watt Head
← everything about the Peavey 5150 120-Watt Head
All 9 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Maxon OD808
Maxon
59% match“considering i use this almost exclusively as a boost for my Peavey 5150 and Orange Micro Dark”— from the maxon-od808 listing
clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)
Goes in front of the amp
Ibanez Tube Screamer
Ibanez
33% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Ibanez Tube Screamer takes that high gain character and pushes it toward mid-forward
Goes in front of the amp
JAM Pedals Tubedreamer
Jam Pedals
30% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
The dynamic tone has headroom to spare — JAM Pedals Tubedreamer leans it toward compressed to fill it in
Goes in front of the amp
BBE VariComp
Bbe
29% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Both lean toward dynamic and compressed respectively — close enough in character that they complement instead of clashing
Goes in front of the amp
Dunlop MXR Distortion Plus
Dunlop
28% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Run Dunlop MXR Distortion Plus into that dynamic platform and it finally leans toward compressed
Goes in front of the amp
ZVEX Instant Lo-Fi Junky
Zvex
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)
Keep ZVEX Instant Lo-Fi Junky after Peavey 5150 120-Watt Head in the signal chain, clear of Peavey 5150 120-Watt Head's own gain stage
Goes in front of the amp
Cusack Music Tap-A-Scream
Cusack Music
21% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Peavey 5150 120-Watt Head stacks high gain on top of the mid-forward already here
Goes in front of the amp
Keeley Halo
Keeley
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Peavey 5150 120-Watt Head's dynamic voice out front: Keeley Halo goes in Peavey 5150 120-Watt Head's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Electro-Harmonix Canyon
Electro-Harmonix
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)
Run Electro-Harmonix Canyon in Peavey 5150 120-Watt Head's effects loop, clear of Peavey 5150 120-Watt Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop