Pedals that stack with the Phil Jones Bass Compact Plus BG-450
← everything about the Phil Jones Bass Compact Plus BG-450
All 22 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ashdown Geezer Butler Signature
Ashdown
35% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
The BG-450's clear, articulate headroom gives the Geezer Butler's doom-voiced bass distortion a defined amp platform.
Goes in front of the amp
ProCo RAT 2
Proco
35% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
The BG-450's clear, articulate headroom gives the RAT 2's bright, cutting distortion a defined amp voice to push into.
Goes in front of the amp
Ibanez Tube Screamer
Ibanez
34% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Push the BG-450's clear, articulate headroom with the Screamer's mid-forward boost and the definition holds up.
Goes in front of the amp
Ashdown James LoMenzo Mega Drive
Ashdown
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (thin → full)
Phil Jones Bass Compact Plus BG-450 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
MXR Dyna Comp
MXR
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
The BG-450's clear, articulate headroom is a lot easier to control once the Dyna Comp's squash is running ahead of it.
Goes in front of the amp
Boss BF-2 Flanger
Boss
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The BF-2's lush, natural flanging follows the BG-450's clear, articulate headroom for defined swirling motion.
Goes in front of the amp
Tech 21 Bass Boost Fuzz Metallic Analog Bass
Tech 21
12% matchPhil Jones Bass Compact Plus BG-450 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
Electro-Harmonix Steel Leather Attack Expander
Electro-Harmonix
11% matchWhat Phil Jones Bass Compact Plus BG-450 brings here leans toward high headroom — that's worth building a pairing around
Goes in front of the amp
Binson Echorec Delay
Binson
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay in Phil Jones Bass Compact Plus BG-450's effects loop, clear of Phil Jones Bass Compact Plus BG-450's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Meris Polymoon
Meris
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run the Polymoon in the Compact Plus's loop for complex, modulated delay beyond the bass combo's own clarity and articulation. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Electronic Audio Experiments Greathammer
Electronic Audio Experiments
11% matchPhil Jones Bass Compact Plus BG-450 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
Tech 21 SansAmp Programmable Bass Driver DI
Tech 21
11% matchPhil Jones Bass Compact Plus BG-450's own high headroom character is the real reason this is worth trying
Goes in front of the amp
Laney Black Country Customs Blackheath Bass Distortion
Laney
10% matchWhat Phil Jones Bass Compact Plus BG-450 brings here leans toward high headroom — that's worth building a pairing around
Goes in front of the amp
Walrus Audio EB-10B
Walrus Audio
10% matchPhil Jones Bass Compact Plus BG-450 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
Source Audio SA251 Ultra Wave Bass
Source Audio
10% matchWhat Phil Jones Bass Compact Plus BG-450 brings here leans toward high headroom — that's worth building a pairing around
Goes in front of the amp
Source Audio AfterShock
Source Audio
10% matchWhat Phil Jones Bass Compact Plus BG-450 brings here leans toward high headroom — that's worth building a pairing around
Goes in front of the amp
Source Audio SA250-US
Source Audio
10% matchPhil Jones Bass Compact Plus BG-450 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
EBS Black Label Series TremoLo
Ebs
9% matchPhil Jones Bass Compact Plus BG-450's own high headroom character is the real reason this is worth trying
Goes in front of the amp
Rocktron Utopia Bass Wah
Rocktron
9% matchPhil Jones Bass Compact Plus BG-450's own high headroom character is the real reason this is worth trying
Goes in front of the amp
Morley REX Brown OLD Blue WAH
Morley
9% matchPhil Jones Bass Compact Plus BG-450's own high headroom character is the real reason this is worth trying
Goes in front of the amp
Joyo R-27 Scylla Bass Compressor
Joyo
8% matchWhat Phil Jones Bass Compact Plus BG-450 brings here leans toward high headroom — that's worth building a pairing around
Goes in front of the amp
Mooer Graphic B
Mooer
8% matchPhil Jones Bass Compact Plus BG-450 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
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