Pedals that stack with the Revv Generator 100R MkIII 3-Channel Head
← everything about the Revv Generator 100R MkIII 3-Channel Head
All 64 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Fairfield Circuitry The Unpleasant Surprise
Fairfield Circuitry
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head's smooth balances out the bright tone
Goes in front of the amp
Beetronics Abelha
Beetronics
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head leans smooth right where the bright tone needs it
Goes in front of the amp
MXR Dyna Comp
MXR
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
The 100R's liquid, thick rhythm distortion responds more predictably with the Dyna Comp's squash running ahead of it.
Goes in front of the amp
Morley 20/20 Britt Lightning Wah
Morley
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head's own smooth character is the real reason this is worth trying
Goes in front of the amp
NuX Metal Core
Nux
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head's smooth balances out the bright tone
Goes in front of the amp
Carl Martin Ottawa
Carl Martin
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What Revv Generator 100R MkIII 3-Channel Head brings here leans toward smooth — that's worth building a pairing around
Goes in front of the amp
MXR Slash Signature Talk Box
MXR
21% matchRevv Generator 100R MkIII 3-Channel Head's own smooth character is the real reason this is worth trying
Goes in front of the amp
Dunlop MDU GCJ95
Dunlop
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, Revv Generator 100R MkIII 3-Channel Head answers back smooth
Goes in front of the amp
Electro-Harmonix Cock Fight Plus
Electro-Harmonix
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head's smooth balances out the bright tone
Goes in front of the amp
Free The Tone Flight Time FT-2Y Delay
Free The Tone
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run Revv Generator 100R MkIII 3-Channel Head after it and the bright edge settles into something more smooth — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Old Blood Noise Endeavors 3 Band EQ
Old Blood Noise Endeavors
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, Revv Generator 100R MkIII 3-Channel Head answers back smooth
Goes in front of the amp
ENO EQ7 7-band EQ
Eno
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head's smooth balances out the bright tone
Goes in front of the amp
Maestro Agena
Maestro
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head's smooth balances out the bright tone
Goes in front of the amp
FTelettronica Six Band Equalizer
Ftelettronica
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head leans smooth right where the bright tone needs it
Goes in front of the amp
Beetronics OC-BS
Beetronics
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run Revv Generator 100R MkIII 3-Channel Head after it and the bright edge settles into something more smooth
Goes in front of the amp
Dophix Michelangelo
Dophix
16% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Revv Generator 100R MkIII 3-Channel Head pushes a saturated tone toward tight
Goes in front of the amp
Related
- everything about the Revv Generator 100R MkIII 3-Channel Head
- alternatives to the Revv Generator 100R MkIII 3-Channel Head
- gear with a similar tone character to the Revv Generator 100R MkIII 3-Channel Head
- amplifiers like the Revv Generator 100R MkIII 3-Channel Head
- what pairs with the Revv Generator 100R MkIII 3-Channel Head
- best amplifier for hard rock
- best amplifier for djent
- Revv gear
- most popular amplifiers