Pedals that stack with the REVV Generator G50 3-Channel 50-Watt

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Walrus Audio Voyager Mk II and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Nobels ODR-1 and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Browne Amplification Gritador pushes a high gain tone toward mid-forward

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Electro-Harmonix Deluxe Electric Mistress's shimmer voice goes after REVV Generator G50 3-Channel 50-Watt in the signal chain — it's not there to compete with REVV Generator G50 3-Channel 50-Watt's own high gain character

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Meris LVX Delay in REVV Generator G50 3-Channel 50-Watt's effects loop, clear of REVV Generator G50 3-Channel 50-Watt's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Walrus Audio Fathom's ambient voice goes in REVV Generator G50 3-Channel 50-Watt's effects loop — it's not there to compete with REVV Generator G50 3-Channel 50-Watt's own high gain character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop