Walrus Audio Voyager Mk II

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Revv Generator G20 20-Watt 2-Channel Tube Head layers high gain onto an already mid-forward signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

The Voyager's selectable germanium and silicon clipping gives you two different ways to push the Mark IIC+'s own singing lead channel.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Walrus Audio Voyager Mk II takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

Walrus Audio Voyager Mk II pushes a edge of breakup tone toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Walrus Audio Voyager Mk II and it comes out closer to mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Walrus Audio Voyager Mk II brings a pull toward mid-forward that's missing

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Walrus Audio Voyager Mk II leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Walrus Audio Voyager Mk II on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Stack the Voyager Mk II's midrange-forward silicon clipping with the Dirt Transmitter's own low-noise gain for two distinct textures.

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Fjord Fuzz Odin in front and the mid-forward tone leans further toward fuzzy

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Add the Phase 90's organic sweep after the Voyager's silicon clipping boost for movement on a shaped, boosted signal.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Walrus Audio Voyager Mk II's own mid-forward character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix XO Deluxe Memory Man after Walrus Audio Voyager Mk II in the signal chain, clear of Walrus Audio Voyager Mk II's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Caroline Guitar Company Kilobyte's pristine voice goes after Walrus Audio Voyager Mk II in the signal chain — it's not there to compete with Walrus Audio Voyager Mk II's own mid-forward character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Dr. Scientist Frazz Dazzler V2 layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

Warm Audio Jet Phaser belongs after Walrus Audio Voyager Mk II, since modulation sits after the gain for a defined swirl