Pedals that stack with the REVV Generator G50 3-Channel 50-Watt
← everything about the REVV Generator G50 3-Channel 50-Watt
All 12 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ibanez TS808 Tube Screamer
Ibanez
33% matchREVV Generator G50 3-Channel 50-Watt layers high gain onto an already mid-forward signal
Marshall Guv'nor
Marshall
31% matchStack the Guv'nor's balanced crunch on the Generator G50's own clean headroom channel to push it into breakup.
Beetronics Buzzter Boost Preamp
Beetronics
31% matchThe G50's stage-ready tube headroom gives the Buzzter's transparent tube boost plenty of clean amp to push into.
Univox Super-Fuzz
Univox
30% matchThe Super-Fuzz's raw, octave-scooped fuzz gives the G50's own clean-to-crunch tube stage voicing something much rawer to push.
Spaceman Redstone
Spaceman
29% matchRun REVV Generator G50 3-Channel 50-Watt into that high headroom platform and it finally gets some crunchy
Behringer TO800 Vintage Tube Overdrive
Behringer
28% matchREVV Generator G50 3-Channel 50-Watt layers high gain onto an already mid-forward signal
Laney TI-Boost
Laney
24% matchRun REVV Generator G50 3-Channel 50-Watt into that transparent platform and it finally gets some high gain
Matthews Effects Aristocrat MOSFET Boost
Matthews Effects
24% matchInto a transparent tone, REVV Generator G50 3-Channel 50-Watt brings the high gain it's missing
Wampler Cory Wong
Wampler
19% matchRun the Cory Wong before the G50 for funky, punchy optical compression before the amp's own crunch-to-clean tube gain reacts.
Electro-Harmonix Electric Mistress
Electro-Harmonix
19% matchRun the Electric Mistress' lush, unique flange sweep after the G50's stage-ready tube headroom and the modulation stays defined.
Dunlop MXR M299 Carbon Copy Mini
Dunlop
15% matchKeep the Carbon Copy Mini's dark, ambient slapback delay in the G50's loop, clear of the amp's own stage-ready tube headroom. — goes in the amp's FX loop (or last, into a clean amp)
Electro-Harmonix Canyon
Electro-Harmonix
13% matchKeep the Canyon in the G50's loop, after that amp's clean, high-headroom channel, so the shimmering repeats stay defined instead of picking up extra gain. — goes in the amp's FX loop (or last, into a clean amp)
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