Pedals that stack with the Roland Corp US LMB-3
← everything about the Roland Corp US LMB-3
All 20 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Orange - Vintage Distortion
Orange
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3's own bright character is the real reason this is worth trying
Comes later in the signal chain
Beetronics Overhive
Beetronics
21% matchBeetronics Overhive's own transparent character is the real reason this is worth trying
Comes later in the signal chain
DigiTech DOD Gunslinger Mosfet Distortion
Digitech
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3 leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Boss OD-1 Overdrive
Boss
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, Boss OD-1 Overdrive answers back smooth
Comes later in the signal chain
Mad Professor MP-Aod
Mad Professor
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Mad Professor MP-Aod's warm character and Roland Corp US LMB-3's bright voice sit in the same lane rather than fighting each other
Comes later in the signal chain
Pigtronix Fat Drive
Pigtronix
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3's own bright character is the real reason this is worth trying
Comes later in the signal chain
Friedman Motor City Drive Overdrive
Friedman
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3's bright voice suits Friedman Motor City Drive Overdrive's own warm character
Comes later in the signal chain
DSM Silver Linings Drive Preamp Engine
Dsm Humboldt Electronics
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
What Roland Corp US LMB-3 brings here leans toward bright — that's worth building a pairing around
Comes later in the signal chain
One Control Hooker's Green Bass Machine
One Control
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Both lean toward warm and bright respectively — close enough in character that they complement instead of clashing
Comes later in the signal chain
Strymon Iridium
Strymon
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3's own bright character is the real reason this is worth trying
Comes later in the signal chain
Carl Martin Bass Drive
Carl Martin
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3's own bright character is the real reason this is worth trying
Comes later in the signal chain
Mooer MOD2 Rumble Drive
Mooer
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
What Roland Corp US LMB-3 brings here leans toward bright — that's worth building a pairing around
Comes later in the signal chain
NuX NRO-6 Diamond 63 Overdrive Effektpedal
Nux
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3 leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
J. Rockett Mark Sampson Max
J Rockett
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
What Roland Corp US LMB-3 brings here leans toward bright — that's worth building a pairing around
Comes later in the signal chain
Spaceman Sputnik 1
Spaceman
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3's own bright character is the real reason this is worth trying
Comes later in the signal chain
Dunlop MXR M78 Custom Modified OD, also known as the Bad Ass Modified OD
Dunlop
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3's own bright character is the real reason this is worth trying
Comes later in the signal chain
Hudson Electronics Broadcast AP
Hudson Electronics
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3 leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
Eventide Riptide Drive E Vibe
Eventide
14% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Roland Corp US LMB-3 leans toward bright, and that's a real, usable character to pair with
Comes later in the signal chain
T-Rex Junior Roomate
T Rex
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep T-Rex Junior Roomate after Roland Corp US LMB-3 in the signal chain, where it won't crowd Roland Corp US LMB-3 — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Alexander Pedals Now We Are Ghosts Reverb
Alexander Pedals
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Roland Corp US LMB-3 in the signal chain — it's not there to compete with Roland Corp US LMB-3's own bright character — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain