Pedals that stack with the Roland DB-500 D-Bass Combo
← everything about the Roland DB-500 D-Bass Combo
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ashdown Geezer Butler Signature
Ashdown
23% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
The high headroom tone has headroom to spare — Ashdown Geezer Butler Signature leans it toward low gain to fill it in
Goes in front of the amp
Origin Effects DCX Boost
Origin Effects
20% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
Into a high headroom tone, Origin Effects DCX Boost brings a pull toward low gain that's missing
Goes in front of the amp
EarthQuaker Devices Hizumitas
EarthQuaker Devices
20% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)
EarthQuaker Devices Hizumitas leans this high headroom tone toward high gain, which it doesn't make on its own
Goes in front of the amp
Boss BF-2 Flanger
Boss
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Boss BF-2 Flanger's lush voice goes after Roland DB-500 D-Bass Combo in the signal chain — it's not there to compete with Roland DB-500 D-Bass Combo's own high headroom character
Goes in front of the amp
Universal Audio 1176 Compressor
Universal Audio
12% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)
Universal Audio 1176 Compressor's own compressed character is the real reason this is worth trying
Goes in front of the amp
Binson Echorec Delay
Binson
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Binson Echorec Delay in Roland DB-500 D-Bass Combo's effects loop, clear of Roland DB-500 D-Bass Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
TC Electronic Alter Ego V2 Vintage Echo
TC Electronic
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Roland DB-500 D-Bass Combo's high headroom voice out front: TC Electronic Alter Ego V2 Vintage Echo goes in Roland DB-500 D-Bass Combo's effects loop so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop