Shins Music Shin's Music Velvet Boost

PRS MT100 leans this transparent tone toward medium gain, which it doesn't make on its own

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Orange Rockerverb 50 MkIII 2-Channel 50W Head leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

Comes later in the signal chain

Synergy SL2 Module leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt brings a pull toward high gain that's missing

Comes later in the signal chain

Into a transparent tone, Egnater Tweaker 88 Head brings a pull toward low gain that's missing

Comes later in the signal chain

Ceriatone 2202H leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Carol-Ann OD-2R brings a pull toward medium gain that's missing

Comes later in the signal chain

Into a transparent tone, Marshall Studio JCM900 SN20H brings a pull toward high gain that's missing

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Sola Sound Tone Bender MkII brings a pull toward fuzzy that's missing

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Shins Music Shin's Music Velvet Boost in the signal chain — it's not there to compete with Shins Music Shin's Music Velvet Boost's own smooth character

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Shins Music Shin's Music Velvet Boost's smooth character and Vox Valvenergy Silk Drive's smooth voice sit in the same lane rather than fighting each other

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Shins Music Shin's Music Velvet Boost's smooth voice out front: Strymon BigSky goes after Shins Music Shin's Music Velvet Boost in the signal chain so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Shins Music Shin's Music Velvet Boost in the signal chain, clear of Shins Music Shin's Music Velvet Boost's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Dr. Scientist Frazz Dazzler V2 leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Put Warm Audio Jet Phaser after Shins Music Shin's Music Velvet Boost: modulation sits after the gain for a defined swirl