The smallsound/bigsound Buzzz is a smallsound/bigsound octave pedal. Close alternatives include the Electro-Harmonix POG2 Polyphonic Octave Generator and the Fulltone Ultimate Octave. It pairs well with the Roland Cube Street and the Laney RB3 Richter Bass Amp.
smallsound/bigsound Buzzz
smallsound/bigsound · pedal
The smallsound/bigsound Buzzz is an octave fuzz pedal in the classic superfuzz lineage, delivering scrambled, clangy fuzz with pronounced upper-octave shimmer and sub-octave low harmonics. Beyond the core superfuzz voice it adds a wider gain range, a voltage-starve control, a gain modifier toggle, a passive low-pass filter, octave on and off switching, and a tone-blast toggle for an aggressive midrange scoop or boost. Its footswitch and toggle combination can also be configured for octave up and down switching. It ranges from smooth, creamy dirty-boost tones through aggressive, biting buzzsaw fuzz to blistering octavia textures, suiting fuzz-forward rock, stoner, and experimental players who want superfuzz character with extended tonal control.
What stands out
“The smallsound/bigsound Buzzz is an octave fuzz pedal in the classic superfuzz lineage, delivering scrambled, clangy fuzz with pronounced upper-octave shimmer and sub-octave low harmonics”
— from the listing
“It ranges from smooth, creamy dirty-boost tones through aggressive, biting buzzsaw fuzz to blistering octavia textures, suiting fuzz-forward rock, stoner, and experimental players who want superfuzz character with extended tonal control”
— from the listing
“Beyond the core superfuzz voice it adds a wider gain range, a voltage-starve control, a gain modifier toggle, a passive low-pass filter, octave on and off switching, and a tone-blast toggle for an aggressive midrange scoop or boost”
— from the listing
“In the chain its highly interactive controls, gain, voltage starve, gain modifier, and low-pass filter, let players shape everything from smooth creamy fuzz to blistering buzzsaw and octavia textures from one box”
— from the community notes
“The most common caveat is low-end management, some users note the pedal needs additional EQ shaping downstream to keep the low end from overwhelming a mix”
— from the community notes
- octave
- superfuzz
- low pass
- creamy
- smooth
- rock
- shimmer
- scoop
Good for
- Busking
- Live
- Practice
- Studio
Genres the smallsound/bigsound Buzzz is commonly used in
- Alternative Rock
- Rock
- Experimental
- Psychedelic Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Stoner Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Shoegaze
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the smallsound/bigsound Buzzz
Roland Cube Street
Roland
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward
Comes later in the signal chain
Laney RB3 Richter Bass Amp
Laney
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Laney RB3 Richter Bass Amp and it comes out closer to mid-forward
Comes later in the signal chain
Roland Cube Street EX
Roland
tonal matchComes later in the signal chain
Roland Cube Street EX pushes a scooped tone toward mid-forward
ENGL E610II Savage 120 MkII Head
Engl
tonal matchComes later in the signal chain
ENGL E610II Savage 120 MkII Head takes that scooped character and pushes it toward mid-forward
Gallien-Krueger GK Legacy 4x10 Bass Combo Amp
Gallien Krueger
tonal matchComes later in the signal chain
Gallien-Krueger GK Legacy 4x10 Bass Combo Amp takes that scooped character and pushes it toward mid-forward
Ceriatone HRM 50
Ceriatone
tonal matchComes later in the signal chain
Feed a scooped signal into Ceriatone HRM 50 and it comes out closer to mid-forward
Fender FSR Blues Junior IV (Black, Greenback Speaker)
Fender
tonal matchComes later in the signal chain
Fender FSR Blues Junior IV (Black, Greenback Speaker) pushes a scooped tone toward mid-forward
Gibson Dual Falcon 20
Gibson
tonal matchComes later in the signal chain
Stack Gibson Dual Falcon 20 on top and a scooped tone tightens toward mid-forward
Pedals that stack with the smallsound/bigsound Buzzz
J. Rockett The Dude
J Rockett
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
J. Rockett The Dude pushes a scooped tone toward mid-forward
Comes later in the signal chain
Browne Amplification Gritador
Browne Amplification
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Browne Amplification Gritador takes that scooped character and pushes it toward mid-forward
Comes later in the signal chain
Catalinbread Epoch-Set
Catalinbread
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Catalinbread Epoch-Set after smallsound/bigsound Buzzz in the signal chain, where it won't crowd smallsound/bigsound Buzzz — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Wampler Catacombs
Wampler
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep smallsound/bigsound Buzzz's octave voice out front: Wampler Catacombs goes after smallsound/bigsound Buzzz in the signal chain so its mid-forward voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Ibanez CD5 Cyberdrive
Ibanez
tonal matchComes later in the signal chain
Feed a scooped signal into Ibanez CD5 Cyberdrive and it comes out closer to mid-forward
J. Rockett Animal
J Rockett
tonal matchComes later in the signal chain
Feed a scooped signal into J. Rockett Animal and it comes out closer to mid-forward
Fortin Amplification Fourteen Overdrive
Fortin Amplification
tonal matchComes later in the signal chain
Fortin Amplification Fourteen Overdrive takes that scooped character and pushes it toward mid-forward
Ibanez WH10V2 Classic Wah
Ibanez
tonal matchComes earlier in the signal chain
Ibanez WH10V2 Classic Wah goes in front of smallsound/bigsound Buzzz — a wah tracks picking dynamics best on the raw signal
Alternatives
Electro-Harmonix POG2 Polyphonic Octave Generator
Electro-Harmonix
57% similarityShared character: one octave, filter, bass
Fulltone Ultimate Octave
Fulltone
56% similarityShared character: one octave, fuzz, aggressive playing
EarthQuaker Devices Tentacle
EarthQuaker Devices
55% similarityShared character: one octave, lead
Roger Mayer Octavia Classic
Roger Mayer
53% similarityShared character: one octave, fuzz, gain
Roger Mayer Octavia
Roger Mayer
50% similarityShared character: one octave, mix, fuzz
Death By Audio Robot
Death By Audio
50% similarityShared character: one octave, fuzz, aggressive playing
Tycobrahe Octavia
Tycobrahe
49% similarityShared character: one octave, fuzz, aggressive playing
KMA Machines Mandrake
Kma Machines
49% similarityShared character: one octave, aggressive playing
Behringer Octavia Octave Fuzz
Behringer
46% similarityShared character: one octave, lead
Meris Enzo X
Meris
43% similarityShared character: drawback, one octave, gain
TC Electronic SUB N UP
TC Electronic
42% similarityShared character: one octave, full
Walrus Audio Luminary V2
Walrus Audio
42% similarityShared character: one octave, filter
See all alternatives to the smallsound/bigsound Buzzz (cheaper + boutique) →
Questions people ask
What are good alternatives to the smallsound/bigsound Buzzz?+
The closest matches in character are the Electro-Harmonix POG2 Polyphonic Octave Generator, the Fulltone Ultimate Octave, the EarthQuaker Devices Tentacle.
What pairs well with the smallsound/bigsound Buzzz?+
Strong matches from rig and tone-complementarity evidence: Roland Cube Street, Laney RB3 Richter Bass Amp, Roland Cube Street EX — Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward.