Pedals that stack with the Source Audio Mercury Flanger

Jackson Audio Prism

Let the Mercury's stereo flanger sweep come after the Prism's transparent EQ shaping, not before it.

Behringer Centaur Overdrive

Put Source Audio Mercury Flanger after Behringer Centaur Overdrive in the signal chain, clear of Behringer Centaur Overdrive's own gain stage

Aguilar DB 925

Add the Mercury Flanger's classic-rock flange on top of the DB 925's own transparent treble-bass boost for texture.

Fjord Fuzz Odin

Run Fjord Fuzz Odin into that low gain platform and it finally gets some fuzzy

Catalinbread Csidman Ghost

Source Audio Mercury Flanger's smooth voice goes after Catalinbread Csidman Ghost in the signal chain — it's not there to compete with Catalinbread Csidman Ghost's own pristine character — goes in the amp's FX loop (or last, into a clean amp)

EarthQuaker Devices Dirt Transmitter

The low gain tone has headroom to spare — EarthQuaker Devices Dirt Transmitter gives it fuzzy to fill it with

Mad Professor 1 Overdrive

Put Source Audio Mercury Flanger after Mad Professor 1 Overdrive in the signal chain, clear of Mad Professor 1 Overdrive's own gain stage

Dallas Tuxedo 1959

Keep Source Audio Mercury Flanger after Dallas Tuxedo 1959 in the signal chain, clear of Dallas Tuxedo 1959's own gain stage

JHS Pedals JHS Lizard Queen

Run Source Audio Mercury Flanger after JHS Pedals JHS Lizard Queen in the signal chain, clear of JHS Pedals JHS Lizard Queen's own gain stage

Suhr Dual Boost (Original Blue Enclosure)

Source Audio Mercury Flanger's smooth voice goes after Suhr Dual Boost (Original Blue Enclosure) in the signal chain — it's not there to compete with Suhr Dual Boost (Original Blue Enclosure)'s own bright character

Sadowsky SBP-2 Bass Preamp

Keep Sadowsky SBP-2 Bass Preamp's bright voice out front: Source Audio Mercury Flanger goes after Sadowsky SBP-2 Bass Preamp in the signal chain so its smooth voice doesn't muddy it

Sadowsky SBP-1 Bass Preamp/DI

Put Source Audio Mercury Flanger after Sadowsky SBP-1 Bass Preamp/DI in the signal chain, clear of Sadowsky SBP-1 Bass Preamp/DI's own gain stage

Mr. Black Bloodmoon

Mr. Black Bloodmoon's dark voice goes after Source Audio Mercury Flanger in the signal chain — it's not there to compete with Source Audio Mercury Flanger's own smooth character — goes in the amp's FX loop (or last, into a clean amp)

Red Witch Titan

Red Witch Titan's ambient voice goes after Source Audio Mercury Flanger in the signal chain — it's not there to compete with Source Audio Mercury Flanger's own smooth character — goes in the amp's FX loop (or last, into a clean amp)