Pedals that stack with the Source Audio Mercury Flanger

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Source Audio Mercury Flanger after Rarebird effects Hatchet Overdrive in the signal chain, clear of Rarebird effects Hatchet Overdrive's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Add the Mercury Flanger's classic-rock flange on top of the DB 925's own transparent treble-bass boost for texture.

Comes later in the signal chain

Fjord Fuzz Odin's own fuzzy character is the real reason this is worth trying

Comes earlier in the signal chain

What EarthQuaker Devices Dirt Transmitter brings here leans toward fuzzy — that's worth building a pairing around

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Source Audio Mercury Flanger after Origin Effects BassRig Fifteen in the signal chain, clear of Origin Effects BassRig Fifteen's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Universal Audio Uafx Orion's analog warmth voice out front: Source Audio Mercury Flanger goes after Universal Audio Uafx Orion in the signal chain so its full voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Source Audio Mercury Flanger after Free The Tone Cosmic Wave Multiple Filtering Delay in the signal chain, where it won't crowd Free The Tone Cosmic Wave Multiple Filtering Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Source Audio Mercury Flanger after Eventide Rose Analog/ Digital Hybrid Delay in the signal chain, where it won't crowd Eventide Rose Analog/ Digital Hybrid Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-2 Digital Delay after Source Audio Mercury Flanger in the signal chain, where it won't crowd Source Audio Mercury Flanger — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Roland SDE-3000D's pristine voice goes after Source Audio Mercury Flanger in the signal chain — it's not there to compete with Source Audio Mercury Flanger's own full character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain